To Download Or Not To Download – Revised!!!
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The Internet is an extremely useful resource. Using it, one can obtain information on nearly any topic. A relatively new item of Internet technology for sharing music has emerged and brought with it, countless legal debates: Napster. Napster allows people to share music files, discover new artists, and become part of the online-music community. Although Napsters opponents argue that sharing music files is immoral and should cease immediately, the positive elements that Napster brings to the Internet overshadow any regret for its use.
Marc Geiger, executive of “Artist Direct,” an online music-marketing firm and Napster champion, states, “Napster is totally community oriented. It brings artists and fans together, and can allow struggling musicians a chance to be heard; thats what the program is all about. The more people hear the songs, the more they want {to} buy the CD” (Sullivan). Struggling musicians who do not receive widespread media coverage to enhance their own album sales find Napster invaluable (Sullivan). These avid Napster supporters can use the medium to distribute and publicize their music with literally no cost (Sullivan). Richardson, CEO of Napster, Inc., is promoting the good side of the software, and trying to make upset artists understand that this program is for the little guys (Sullivan). Richardson maintains that Napster will not hinder music sales, but will have an opposite effect (Sullivan).
Napster is an MP3 file-sharing program that enables users to share their music with one another. Anyone with a computer can download the program, sign the user agreement contract and then start swapping music. The program includes chat features, top music sharing lists, search capabilities, charts showing the status of the file transfer, and other assisting utilities (Allen). The chat rooms allow users to converse and exchange information with other people “in” the room (Allen). The search feature allows the music consumer to search by song title, artist, along with a myriad of other variables. The file transfer element of the program allows listeners to manage file downloads (files which they are receiving) and uploads (files which others are copying) (Allen). Napster also includes a “library,” a utility for sorting and listing music files stored on a given computer (Allen). Napster users can also listen to their newly downloaded files with Naptsters built in mp3-player (Allen). The program is easy to use and does not contain too much technical jargon (Allen).
A Northeastern student named Shawn Fanning developed Napster in his college dorm room to share ideas and music with his friends. He wanted to be able to play his friends music without having to constantly borrow their CDs and cassettes (Allen). Napster allowed him to do just that (Sullivan). The program that Fanning developed allows users to transfer easily MP3 music files from one computer hard drive to the next. An MP3 file is simply a compressed version of a file found on a common compact disc. MP stands for MPEG (Motion Picture Experts Group), the developers of the compression technology, and three refers to the number of audio layers (Allen). “MP3 files are about one-tenth the size of uncompressed audio files” (Allen). One minute of mp3-compressed music consumes roughly one megabyte (1024 kilobytes) of memory with MP3 compression; uncompressed, the same one-minute would take up to ten times that amount of memory on the computers hard drive (Allen).
The bad rap that Napster has built up is due to allegedly “pirated MP3 files” and the outcry of major recording artists. David Weekly, the Napsters audio consultant said, “this is a really awful move on the RIAAs [(Recording Industry Association of America)] part. If what theyre trying to do is prevent programs like Napster from coming out, they backfired and gave every teenage hacker the incentive to write their own [program]” (Sullivan). Weekly emphasizes that any media attention is good attention (Sullivan). Due to Napsters success, a number of other music file sharing venues have gained recognition for distributing “pirated” files: MP3.com, ArtistDirect.com, Launch Media, Scour, and VNN to name only a few (Sullivan). Dave Goldberg, the CEO of Launch Media, said, “theres going to be lots of different ways to get pirated music, [Napster] is just a different way,”(Sullivan). Some other ways to acquire pirated music are recording off the radio or “ripping” and encoding CD music files to produce MP3s. The latter is the method used to manufacture the vast majority of MP3 files in circulation (Allen). However, Napster adversaries attest that Napster alone promotes of music piracy over the Internet (Huffstutter).
This program is a little more than a year old and causing controversy because of copyright infringement laws. Contributory copyright infringement, for which Napster is being sued for by the RIAA, is solely the users fault. “The software user agreement says that Ðcopying or distributing unauthorized MP3 files may violate United States and foreign copyright laws. Compliance with the copyright law remains your responsibility” (Sullivan); this statement is a direct transcription of Napsters user contract (Sullivan). The user must read and comply with the terms of the contract, before he or she can begin using Napster. This contract implies that the downloader of illegal files is he who should be sued for copyright infringement, not the program makers. “The downloading of any copyrighted music from the Web without permissionЖeven for one-time or personal useЖis illegal” (France). The penalty for “contributory and vicarious copyright infringement” is up to $100,000 for each song that was downloaded using Napster (France).
The RIAA has not produced any viable statistics, only statements and claims (Dyson). Besides, Napster is principally used to sample artists and/or songs, if a user likes the sample then he will buy the CD or Cassette. “ÐWord of Web is infinitely more efficient that word of mouth” (Dyson). Many songs in the Napster community are of unsigned bands that need the free publicity. The problem with their free publicity is that there is no suitable regulation of it.
New bills have been introduced before the courts to try and distinguish what is legal or illegal to download. One such bill is the Digital Millennium Copyright act; this act states the accused Web sites cannot be sued for illegal activity, but it is legal to prosecute the user of the service (France). Also, under the same act, the Web site is required to police the information, which is being put on the site (France). Please