Essay About Chadwick Hansen And Chadwick Hansens Book

Salem Witch Trials
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Chadwick Hansen. Witchcraft at Salem. New York: George Braziller, INC., 1969. 252pp. Many people believe that the witch-hunt of Salem, Massachusetts in 1692, was based upon mere delusions of a few frightened teenage girls. Despite the popular viewpoint of many other historians, Chadwick Hansens book, Witchcraft at Salem, offers a generally discarded point of view. He uses exhausted research and well-written material to argue that the events of 1692 were true signs of witchcraft. Hansen proves this thesis by elaborate descriptions of the girls who were afflicted and by extensive trial evidence. In many historical writings the girls that were afflicted by the witches were usually branded as liars, who were afraid of the repercussion of taking part in the craft. Hansen, however, takes the stand that the girls were, for the most part, believable. The convulsive fits were so grotesque that eyewitnesses agreed that it was impossible for the girls to be acting (1). The girls were believed above all others because the courts could not bear the thought that the fits and loss of memory, appetite, hearing, sight, and speech were false. Hansen goes on to describe the torment that the girls faced. They felt themselves pinched and bitten, and often there were actual marks upon the skin (1). Hansens ability to describe to the girls afflictions in such detail lends the reader to believe that actual witches caused the torture of the girls. For markings to appear upon the skin of the girls, where nothing physically had touched their skin, Hansen concludes that it could only be a result of supernatural beings. Hansens well-researched trial evidence is a very convincing argument. He presents the reader with numerous cases and the process each went through. There were two cases unparticular as to which Hansen writes about explicitly. He writes of a maidservant, Tituba, and of a woman of the community, Dorcas Good. Both Tituba and Dorcas Good admitted to being involved in the art of witchcraft. Hansen uses these confessions and other numerous convictions for his basis that there was witchcraft in Salem. Fifty-two people were indicted for witchcraft, for which many of them were accused due to spectral evidence (205). Hansen relies greatly on spectral evidence as a basis for conviction, because for the majority of the time that was generally (if not only) all the evidence the court had to decide upon. The extensive sources Hansen cited for the foundation of his theory are historical writings. Many of the works he cited