David
Essay title: David
David
Who is David? David is the man portrayed in the Bible who is destined to become Israels second King. One of Davids well-known stories was the time when he killed the Philistine giant, Goliath, with a sling and a stone. Many artist during the Renaissance designed sculptures of David. These artists include Donatello, Verrocchio, Michelangelo, and Bernini. Each of these artists chose to create David in their own special and different way.
The first artist who chose to create a sculpture of David was Donatello. Donatellos David was the first life size nude statue since the classical times. His creation found a median between Classicism and the realism by creating David as a very real person. He was created to look like an Italian peasant boy in the form of a classical nude figure. Donatello was highly influenced by other classical figures, but when he created David, he didnt create him as a Greek youth in his prime. Donatello chose to created a David that looked like a barely developed adolescent boy who at first glance looked somewhat weak, do to the lack to muscles and minor definition. Once David defeated Goliath, he cut of the Philistines head. In Donatellos David, the head is placed under the foot of David while he has as large sword at his side. The sword seems too large compared to the boy that one might think David would have been too feeble to even lift such and instrument. The large sword makes it appear as if it was impossible to achieve the task that he had just doe. David appears uncertain of his accomplishment, as he appears to be looking down at his own body. Davids intelligence must have made up for his lack of muscular build. (Fichner-Rathus 331-332)
The next artist, Verrocchio, who also designed of sculpture of David, was one of the most imaginative sculptors of the middle 1400s. This young depiction of David is one of the most treasured and famous works of its time. When one looks at Verrocchios David, they can see a connection of the of Donatellos David as well. It is not a similarity, but a contrast. Both sculptors chose to portray David as a very young boy, but Verrocchio created his David to appear “brave and somewhat older and excludes pride and self-confidence instead of a dreamy gaze of disbelief”(Fichner-Rathus 334). Donatello stood between realistic elements with and idealized Classically inspired torso whereas Verrocchios idea was to portray absolute realism in the very minor details. The technique between the two sculptures varies as well. Donatellos David is what we call a closed form sculpture. Davids arms and legs as well as everything around him are centered around an S-curve Stance. This made Donatellos creation appear balanced. Verrocchio on the other hand chose to create David with openness. The bared sword and elbow are projecting away from the central core. “Donatellos graceful pose had been replaced in the Verrocchio, by a jaunty contraposition that enhances Davids image of self confidence (Fichner-Rathus 334).
The next brilliant artist who created a “David” was Michelangelo. He established himself as a sculptor at the age of twenty-seven when he first carved David. Most people find that he carved David from a piece of relatively unworkable marble. Michelangelos creation differed from that of Donatello and Verrocchio. This creation is not portrayed after David has already killed his enemy, but it is showing David as a “most beautiful animal preparing to kill-not by savagery and brute force, but by intelligence and skill”(Fichner-Rathus 345). This David has a sling hung over his should while holding the stone he will use in his right hand. You can see by the look at Davids body, especially the veins, that he is ready and prepared for the fight. Unlike Donatello and Verrocchios David, Michelangelos David is depicted as a young male who has just reached manhood and is capable of just about anything, which is part of the classical tradition.