Portrayal of Asian Americans
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Abstract
My research focused on the coverage of Asian Americans in contemporary mass media. The following types of media were researched:
Music
Television
Films
Magazines
I gave several examples where Asian Americans were used to play very simple characters. These roles were defined by stereotypes that exist in America. I also researched instances on counter actions taken by Asian Americans to protest against these negative images. My research also has examples of Asians that have succeeded in breaking through the racial barriers in the media.
The results show that even though racial stereotyping still exists in various forms of mass media, there are signs that show noticeable improvement on allowing a more balanced image of Asian Americans.
Statement of the Problem
There are close to 12 million Asian Americans living in the United States (U.S. Asian, 2000). Asian Americans are considered one of the fastest growing minorities (Pimentel, 2001). Between 1990 and 1999, the Asian population rose 43% (Census, 2000). However, Asian Americans are still portrayed in a simplistic manner by the American media, which in turn, promotes stereotyping. I have researched various types of mass media in the United States, such as: music, films, television and magazines. I will focus on several examples where Asian Americans are portrayed in a negative way. Furthermore, I will give examples of musicians, and independent films that prove Asian Americans have potential on what they can contribute to in the American media. Finally, I will recommend different ways to rid the stereotype put on Asian Americans by actions that can be taken, not only pertaining to Asians, but to other ethnicities that face stereotypes on their culture.
Background History
Music in every country has a history going back hundreds of years. It is an excellent type of entertainment that any person can enjoy. America being such a diverse country, any person regardless of race or gender needs to be given a fair shot in an opportunity to showcase his or her talent. However, there is a lack of Asians Americans represented in America. Asian Americans must go above and beyond on what is expected in the industry, compared to white and black Americans who seem to have it much easier. “Always, it is the Asian who assimilates, who must explain his or her presence and professionalism, who must earn the right to exist and speak, who must prove his or her authority and credibility” (Agtarap, 1994, p.267). Also, it seems like the blueprint for Asian Americans to succeed in the music business is if Asians play to the role of the stereotypes that exist in this country. The media needs to stop portraying these simple-minded images of Asian Americans, and display equality on what they project to the American public.
Recently, William Hung has reached star status in American pop culture. Born of Hong Kong decent, and a current student at University of California in Berkley, he made his debut on the auditions of a show called American Idol (Chi, 2004). One would believe that William Hung is a very talented singer to reach stardom. He is a household name for those who follow pop music in America. Unfortunately, he is not very talented. He has reached his status by making a mockery of himself. He sings in a horrible off key voice, cannot dance, and does not look the part of many entertainers in the music industry. In the media, Asians are always portrayed as being very sexually active or completely asexual (Fong, 1998). William Hung would fit the latter. He has become popular by playing the part of the general Asian stereotype. He does not care that he is laughed at by millions of Americans. Even if he ultimately made the decision to embarrass himself, it is unfortunate that Koch Records gave him a record deal, when there are far more superior Asian American musicians who just need a chance to prove themselves in the music industry.
William Hung started off as a gimmick, which is understandable, but gimmicks need to come to an end before it gets the point of being offensive. He has crossed that line of embarrassing his nationality in exchange for fake stardom. He is playing the role of the ineffectual stereotype image of an Asian American (Guillermo, 2004). Who knows how many more clones of William Hung will appear? In my opinion, he has made a blueprint of how Asians can become successful in the music industry in America. Just embarrass yourself. This is not the right message to be sending to other aspiring Asian American artists. There are many talented musicians that live in the United States, and the industry needs to give these people a fair shot, and stop prolonging this bad joke of an artist. It has come to a point where America is not just glorifying the bad, but now it is border lining on a joke driven by racism (Guillermo, 2004). In trying to decipher the possible explanations for the stunning success of William Hung, racism takes precedence. Hung is carrying on the “stigmatic torch of the verbally-accented Chinese forever-foreigner” (Thoughts, 2004).
Asian Americans have been in the United States since the 1800s, and yet their portrayal on film has continued to be presented as more foreign and less American. Certain movies during 1940s to 1970s had “scotch tape Asian characters” (Fong, 1998, p.142), meaning white actors played the role of Asian characters. Through time, more Asian talents were recognized, such as the classic icon Bruce Lee, Jackie Chan and Hong Kong director John Woo (Zia, 2000). This opened the door for Asians to make it big in Hollywood, but Asian Americans were still stuck with limited roles. “Hollywood typically restricts its portrayals of Asians to a limited range of clichйd stock characters” (Restrictive Portrayals [RP], 2004). Examples of the common roles that Asian Americans play in movies are martial artists, Indian cab drivers, television anchorwomen and prostitutes (RP, 2004). Even if most Americans do not buy into these images because they interact with many Asian Americans who do not fit the stereotype, the areas of concern are those parts in the United States where there isnt a sufficient Asian population (Wu, 2002). Since many Asian people do not surround these Americans on an everyday environment, it is a safe assumption that they will draw their judgment of Asian Americans from how they are portrayed on film and television.
In many American films, Asian men are portrayed as passive, old,