Examining the Representation of Masculinity Identity in Nice Work
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Examining the representation of masculinity identity in Nice Work                              Kun LongIntroductionThis essay mainly aims to explore the representation of masculinity identity both in male and female in Nice Work, which is a novel written by David Lodge who establish his reputation mainly on his academic novels and his literary criticism and theory. This book describes encounters between Robyn Penrose, a feminist university teacher specializing in the industrial novel and womens writing, and Vic Wilcox, the manager of an engineering firm.Generally, there are two types of characteristic in term of gender in human-being;masculinity and femininity. âIt is true that the concept exited long before 1970s. Its full meaning was not developed well, however, until 1970sâ (Clyde W. Franklin II, The Changing Definition of Masculinity, 1984(5)). It is extremely hard to define what masculinity is. Does masculinity is the privilege of male? David Lodge gives us a vivid representation and provides us a very different perspective in one of his world-famous trilogy, Nice Work.Analysis of masculine identity in Nice WorkVic Wilcox and Robyn Penrose are the leading characters, in other words, the protagonist in Nice Work. Masculine identity is widely represented in both Vic and Robyn through the vivid and subtle description of David Lodge. The masculinity in Vic Wilcox   Vic Wilcox, managing director of a local engineering company in Rummidge, enjoying great reputation and wealth in his area. Masculinity can be seen both in his family and work. In family, he acts as the leading role and breadwinner while his wife, Marjorie, is considered as the general housekeeper. When it comes to some topic like daughter education, sexual life etc., the policy maker eventually almost fall in Vicâs role to play in. For example,
Marjorie blushes. âWell, she needs a new pair of shoesâŠâ     âYou are a fool, Marje!â Vic explains. âYou spoil that girl something rotten. All she thinks about is clothes, shoes, hairstyles. What kind of A-levels do you think she is going to get?â     âI donât know. But if she doesnât want to go to University.â     âShe is thinking of hairdressing.â     âHair dressing!â Vic puts as much concept into his voice as he can muster. (David Lodge. Nice Work, 9)  From this conversation we can sense the conflict between Vic and Marjorie in theeducation of their daughter. And at that time Vic first represent his male identityin this novel, which, in more detailed, is called assertiveness to control the wholefamily to a right direction , like the capital in a ship.   And not very long after, another problem occurs to their life and bothers themin a considerably way. â You mean , youâve got it back?â Vic asked flatly.âWell. I donât know,â she said. âI mean, I wonât , will I , mot till we try, I thinkwe ought to give it a try, Vic.âWhy?ââWell, itâs natural for married couples. You used to want toâŠâ There was adangerous quarter in Marjorieâs voice.âEverything comes to an end,â he said desperately. âWeâre getting onââBut weâre mot old, Vic, not that old. The book says-ââFuck the book,â said Vic.Marjorie began to cry. (David Lodge. Nice Work, 113)  This conversation unveils the sexual conflict between Vic and his wife. The behavior that Vic refuses the proposal of having sex represents the independence and assertiveness, which are both symbols of masculinity, indicating, at the same time, the marriage between Vic and Marjorie is coming to a dead end in the foreseeable future.