“not Waving but Drowning” a Modern Poem
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Stevie Smith lived from 1902 to 1971, which was the pinnacle of new modernistic poetry. Smith was unlike most of the poets of this age as critics have reported that her work fits into no category and shows none of the same characteristic influences of the age. Although this may be true, many of her poems followed modern principles. An example is “Not Waving, but Drowning,” a morbid poem about suicide and depression. Morbid poems were not uncommon to the age, but this poem is unique because it contains wit. Smith also conveys the theme of this highly metaphorical poem threw devices that were common to the time period. The eternal depth of an individual’s psychology can be very deep, complex, and morbid without any outsider’s notice. This theme is derived from the use of skepticism, imagist language, and an interior monologue.
Skepticism is the act of doubting a state of mind. In the poem, Smith doubts the normal state of mind a suicidal man had. She gets into the characters head and reveals that he felt that he was “drowning” in the world. The man wants to tell everyone at the funeral how unhappy he is but he can’t because he is dead and “lay moaning.” Everyone on the outside thought that he was just happy as a lark. The metaphor the author uses is a man that has gone too far out in the ocean and appears to be waving happily to people on the beach, but in actuality he is waving hysterically because he is drowning. Smith is skeptical of all human beings and their fakeness. Smith knows that this world is a sad place, she is a modern writer.
Poets of the modernist era tented to use language that way quite brief but highly imaginative to express theme. “Not waving but drowning” is only twelve lines long, but
because of the language we can derive the psychology of a depressed individual. Even the title is highly imaginative and it allows us to derive the poem’s metaphor. The man is screaming to himself “I’m not waving, I’m drowning” which means he is not happy; he is completely depressed to the point of suicide. Smith uses direct straight forward lines such as “nobody heard him, the dead man but he still lay moaning” to express a persons inter call for help. Lines such as “oh. no no no, it was too cold always” and “I was much to far out all my life” from the dead man himself show his frustration with life and towards the people who didn’t understand him. Even though the poem is talking about a certain individual, the use imaginative diction aids in creating a