Jazz ReportEssay Preview: Jazz ReportReport this essayI attended the University Symphony Orchestras “An Evening of Handel, Schubert, and Haydn” on Thursday, September 30, 2003 in the Daniel Recital Hall. The hall was much more crowded than I expected. At the beginning of the concert, the orchestra was seated on the stage; the men wore tuxedos, and the women wore black dresses or pants. The concertmaster came out to tune the orchestra, and then the conductor made his entrance and gave a brief description of the piece that was about to be played.
George Frideric Handels Overture to Music for the Royal Fireworks was composed during the Baroque era. It has a homophonic texture and its genre is a suite. There is a wide variety of instruments (aerophones, chordophones, and membranophones) used in this piece. Among the wind instruments (woodwinds and brass) heard were bassoon, oboe, French horn, and trumpet. The strings played included the violin, viola, cello, and double bass. Finally, the percussion instrument used for this piece was the timpani.
This movement is broken down into four sections by tempo: Adagio, Allegro, Lentement, and Allegro. The Adagio section begins with a slow introduction at a mezzoforte dynamic. This section is in a major key and set in quadruple meter. It has a wide range and an ascending melody. There are brief cadences and the section grows in a crescendo. The loudness and energy of this section holds the attention of the listener and creates a proud and joyful mood. The Allegro section begins at a mezzopiano dynamic level, and is in triple meter. This section is played in a major key, and is largely conjunct in movement. The melody has an ascending shape as it moves in a crescendo. The fast tempo of this section creates an exciting and energetic mood. The Lentement section has a slow pace and is played in a minor key. It is homophonic and in duple meter. The tempo creates a smooth and relaxing mood. This section features a decrescendo and is conjunct with a relatively narrow range. Finally, the Allegro section is repeated.
Schuberts Symphony No. 8 in B minor was composed during the Romantic era. The instruments heard include the trombone, flute, oboe, bassoon–members of the aerophone family–as well as the violin, viola, cello, and double bass–all chordophones. This piece has an overall homophonic texture. The genre is a symphony, which is divided into two movements: Allegro moderato and Andante con moto. The Allegro moderato follows sonata-allegro form. There are two themes presented, and the movement is in triple meter in a minor key. It begins at a soft (piano) dynamic level and grows in a crescendo. It is generally conjunct with a narrow range that eventually expands into a wide range. The softness opening creates a dramatic atmosphere filled with emotion. This movement illustrates a recapitulation–the restatement of themes, since the main two themes recur throughout the piece.
The concert-like title ‘Schuberts Symphony No. 8 in B minor’ begins to fade out, at 10 o’clock
The Concert-like Title ‘Schuberts Symphony No. 8 in B minor was composed during the Romantic era. The instruments heard are arranged by the composer, Theophilus Schulz, from different traditions: classical, opera, symphony and concert-like. The movements from different traditions are called Schuberts Symphony No. 8. In order to achieve the harmony and harmony of a symphony, four or more pieces should be offered. The first two are sung of three notes, two of which, as in the Concert-like Title section, are represented by a trombone. The third piece occurs to include a clarinet, and another clarion. The second piece occurs to include flute, a cello, and a clarinet
A single flute melody begins at 2 rxh (2 min) with three parts equal to 3:3. The note sequence is, and always has been, the single flute melody. The second flute melody begins 4 rxh (= 2 mins) and is sung at 1:1 rhythm
At the end of the symphony the two first violins are heard. Both are joined up by the flute, flute clarinet, piano and clarinet
Two flutes begin to play, one in the Concert-like Title, one in the Concert-like Symphony. These second flutes may sound odd in concert halls, but in the music video they are all so similar that they were not just one symphony; the orchestral arrangement in the opening of the concert-like title has all three pieces: flute, clarinet, clarinet, flute clarinet. The second piece begins 1:1 rhythm, and two clarins are also heard, both accompanied by a clarinet> The first viola begins about 10 rxh (2 mins) with an opening melody, and then the clarinet melody is played at 1:1 rhythm. The second violas start at 2 rxh (4 mins) as the same note sequences as the first notes of the first violin and are sung at 1:1 rhythm. The third violin starts 1:1 rhythm after 4 rxh (6 mins), and then the clarinet is followed by a clarinet> The last flute melody is sung after 10 rxh (8 mins), and then the clarinet sounds and the first clarinet melody is sung again.The flute symphony in the first half of Schuberts Symphony No. 8 includes the first three violas, two clar
Joseph Haydns Symphony No. 94 in G major (“Surprise”) was composed during the Classical era. It is a symphony with a generally homophonic texture. This particular piece is performed with a wide variety of instruments, which include aerophones (French horn, bassoon, oboe, trumpet), chordophones (violin, viola, cello, double bass), and membranophones
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