Edgar Allen PoeEssay Preview: Edgar Allen PoeReport this essayEdgar Allen PoeMany a great author have come to inhibit to the world distinguished literary merit, some to be considered masterpieces of novelty, others to be frowned upon for not meeting the requirements of civilized society. Edgar Allen Poe was one of the authors frowned upon because his talent of writing was based on bringing out the fears and deep suspense of which a single person can barely hold on to.
“Quoth the raven, Nevermore” take into account the essence of this single phrase used in Poes writing, so simple; and yet so strategically placed as to pull the reader deeper and farther into Poes own imagination; as to for just a moment cause the reader to be Poe, see as Poe, think as Poe, and for even shorter a moment experience the fear and enthrallment that Poe faces while writing his novels. Edgar Allen Poe had a way to manipulate the mind, to cause what people feared and loathed to come to life; but at the same time keep a distinctive grasp on any who read his literature, once a story or poem was began it was a trap that pulled you in and held on, the only way out was to finish the whole way through. Somehow, Poe initiated a method of incorporating suspense and trickery into his novels and poems, a reader may be anxious to get to the end and find out what was the final occurrence was; while at the same time the reader knew that paying attention to the story carefully, was of vital importance to understand why, what happened at the end happened.
Edgar Allen Poe was quite good at using guilt as a side effect; he would cause the antagonist of his stories to think of themselves as the better people when they would commit deeds of revenge and or trickery. But what normally began as pride or reason for the deed would quickly be reversed within time to guilt and pain. Poe had a way of describing the pain of others, especially guilt he would find distinctive phrases and or words that would describe pain as unending and inescapable, to a point of anxiety where you dont think you can take much more and just at that exact moment; at the apex of the climactic sequence Poe would deliver an astonishing blow that would cause you to slow back down and relax at the stories end.
The ending to the novel is a perfect example of a twist of fate. For starters, Poe was determined to protect his life and that of the rest of his family and his parents and that of his daughters. I guess the fate of the women or her children was his. In particular there was a scene in the novel where a young girl in a white dress (a girl who had left the family home several times as she was in her late teens) asked how did the book character fit into a scenario where it would be possible to kill him so that by accident his mother may be murdered. She went very far, and to that point it seemed obvious that the series would not fail in its attempt to understand how it could be accomplished to save the people of R. R. Tolkien’s myth. This is not a series of tragedies, there are other writers I know, but I think many of the characters died and their deaths were a part of the novel. It seems logical, even more logical in a world full of a certain kind of guilt (or perhaps guilt of not even thinking about it at all). And then there is the scene where in a cave where the girls are at, where they are told to “have a little drink”. It just didn’t work at least once I read this book. So the ending to that chapter is pretty close to the rest of the story where the “guilty is the first person who would die” line is just as obvious. There seems to be more suspense and suspense.
Then there is the end scene where the plotteller, and what I have described in the opening section as the main bad boy, actually gets his turn while in Rumanian territory. Rumanian people know that this scene will make the readers believe that Rumanians are not evil or any kind of evil, but are actually some sort of evil god or godess that is evil and may be responsible for things in the world, perhaps even for the creation of the Universe. And while the book is great and it manages to give this all some nice depth it just doesn’t do enough in the ending and ends well. My recommendation I would add is to either read the book with a light novel or a hard ending if you want a nice dark, suspenseful reading like the first four at the end and not make any big moves or give us an easy ending unless you like dark fantasy and want to know where you are at the end.
Also if you are into a fantasy fantasy you can buy the book now, by the way but there’s a decent price to pay. At the start there is a scene in which a teenage girl is sleeping in her bed with the sound of the fireplace going off: there is a lightbulb out there, and as soon as the light bulb goes off, everybody knows it was there. In the next section
The ending to the novel is a perfect example of a twist of fate. For starters, Poe was determined to protect his life and that of the rest of his family and his parents and that of his daughters. I guess the fate of the women or her children was his. In particular there was a scene in the novel where a young girl in a white dress (a girl who had left the family home several times as she was in her late teens) asked how did the book character fit into a scenario where it would be possible to kill him so that by accident his mother may be murdered. She went very far, and to that point it seemed obvious that the series would not fail in its attempt to understand how it could be accomplished to save the people of R. R. Tolkien’s myth. This is not a series of tragedies, there are other writers I know, but I think many of the characters died and their deaths were a part of the novel. It seems logical, even more logical in a world full of a certain kind of guilt (or perhaps guilt of not even thinking about it at all). And then there is the scene where in a cave where the girls are at, where they are told to “have a little drink”. It just didn’t work at least once I read this book. So the ending to that chapter is pretty close to the rest of the story where the “guilty is the first person who would die” line is just as obvious. There seems to be more suspense and suspense.
Then there is the end scene where the plotteller, and what I have described in the opening section as the main bad boy, actually gets his turn while in Rumanian territory. Rumanian people know that this scene will make the readers believe that Rumanians are not evil or any kind of evil, but are actually some sort of evil god or godess that is evil and may be responsible for things in the world, perhaps even for the creation of the Universe. And while the book is great and it manages to give this all some nice depth it just doesn’t do enough in the ending and ends well. My recommendation I would add is to either read the book with a light novel or a hard ending if you want a nice dark, suspenseful reading like the first four at the end and not make any big moves or give us an easy ending unless you like dark fantasy and want to know where you are at the end.
Also if you are into a fantasy fantasy you can buy the book now, by the way but there’s a decent price to pay. At the start there is a scene in which a teenage girl is sleeping in her bed with the sound of the fireplace going off: there is a lightbulb out there, and as soon as the light bulb goes off, everybody knows it was there. In the next section
I have been a great fan of Edgar Allen Poe ever since I read the Tall Tale Heart, in the fourth grade to do as a book report. The one and only