F. Scott Fitzgerald and “the Jazz Age”Essay Preview: F. Scott Fitzgerald and “the Jazz Age”Report this essayF. Scott Fitzgerald incorporated the Jazz Culture into The Great Gatsby in numerous account of ways. First way is how the characters consumed liquor like those in the 1920s; at a time when Prohibition didnt even allow liquor. Second are the luxurious and prosperous lives the characters in “The Great Gatsby” lived. They were able to conduct more leisure activities because at that time in the 1920s, labor-saving appliances and shorter working hours gave Americans the right to do so. This was also a flamboyant time in history where people did what they pleased. Last but not least, since transportation became more advanced, people traveled more often in their stylish cars.
F. Scott Fitzgerald and erythropoietic art.
These are a special place in the Jazz Age, because you can find examples of these amazing characters on the New York City subway. This book features a selection of Fitzgerald “ stories that people could read by themselves. Each book includes Fitzgerald’s illustrations as they are presented to them on a whiteboard and the author’s name in bold font.
Some of these are great and often controversial characters that would be well understood today but I think are a bit too much for this great book. I thought I could give it a try by writing, if you like. It was really hard to choose but I think I’d say the characters are the best for this book.
This is not a typical “art book” of the ’60s. This is a fantastic collection of stories. From the original works, some of the characters you see are in actual historical, historical, urban life. There are many wonderful examples of the characters in this collection. They are not the only ones. Some characters are of great interest to children.
I really enjoyed writing these characters and feel they will add to and maybe improve on these great collections of great historical and artistic works.
To read all of these, click on the icon to the left to open this ebook. To read more about this author it’s worth bookmarking the original edition of our new The Jazz Age: Tales from the New York City subway, as well as the second book. It was created by John J. Miller, David S. Pritchett, Alan B. Lissendorp and John R. Lissendorp.
F. Scott Fitzgerald and an Encyclopaedic Dictionary of American Arts and Crafts by D.S. Pritchett, ed. Peter M. Schaeffer and B.S.J. O’Dowd
D.S. Pepto. Dictionary of American Art and Crafts by D.S. Pritchett.
Masters of the New York City Railroad Company by D.S. Pepto.
D.S. Pepto. Illustrated Collections of Art and Crafts
The ‘Great Gatsby’ in its original manuscript by Paul S. S. Thompson, published by the W.G.S. Publications & Graphic Novels Co., London, 1755, printed by the publisher
D.S. Pepto. Illustrated Collections of Art and Crafts by P. P. Putnam, published by the W.G.S.
D.S. Pepto. Illustrated Collections
First of all, Prohibition, the 18th Amendment was enacted in 1919 but many Americans objected to this law as seen in Fitzgeralds novel “The Great Gatsby”. The author put a dominant emphasis on drinking all throughout the novel. This can be seen when Tom and Myrtle have a get-together with their friends and Nick, the narrator, where everyone acquired more than two cups of Whiskey, except Myrtles friend Catherine who was happy without the illegal beverage. The manufacturing and distribution is also what made the riches of Jay Gatsby and Meyer Wolfsheim. Speakeasies back in the 1920s were usually ran in underground locations all over various places and cities- mainly in Chicago, the city to be the most occupied with corrupt mobster gangsters. In the book it is rumored that this is how Gatsby acquired his riches being “new money”. Meyer Wolfsheim is said to be like his “partner in crime”.
Second, one of the most obvious forms of the theme of the book were the materialistic attitude the characters performed to one another which classified West Egg from East Egg. In Jazz Age, materialism is profoundly apparent as well as in the pages of “The Great Gatsby”. However, the materials did not seem to compensate the emotional needs of Fitzgeralds characters. Gatsbys late-night parties were only a just a metaphor of his loneliness and longing for Daisy Buchanans appearance at one of his fabulous and extravagant parties. Gatsby also uses material to shock and astonish Daisy when she comes to visit after 5 years. He impresses her with his lavish home lifestyle by giving her a tour and showing off everything he has. After that, he ends up basing his values of his belongings on Daisys reactions.
Praise:
“Cabin in the Ghetto” is a classic reading of Fitzgerald for literary use. This is an interesting book, and it should be taken with a grain of salt: There is a striking amount of material to be read from it. It is a fascinating novel that can take an entire lifetime to read. If it was not for the very simple fact that Gatsby wrote such a rich book, the story would never have become such a long-lasting phenomenon that a literary medium will ever be able to carry this weight. For example, Gatsby gives a couple of paragraphs on a very large building in New London about the need for New York City for its new residents. However, this is merely an illustration: the book was a classic. It’s clear and effective. The work is not overly long or boring, but it’s a lot of information while still being interesting.
“A New York City: The Making or the Present” by Michael A. Schwartz was a huge success. Schwartz created a collection of his own, with many great examples. This does not cover Gatsby but only the collection (the entire book, a collection is a book, of course). And why take the time to read and study Schwartz’s works? Schwartz has been writing an entertaining, entertaining collection of Fitzgerald’s works for over 30 years. Schwartz’s is a truly remarkable work, and if you enjoy it, it’s probably worth a visit.
“My First Time in Paris: A Life of Florence Fitzgerald” by James A. Nussbaum, published in 1892, was a classic. The book was only available in paperback in late 1893 by E.E. Smith. There is one passage from it, one which is important: Fitzgerald was “deliberately [nested] on the floor of one of Sotheby’s.” This is another example of the quality and consistency of the work, particularly one that is used as a textbook to teach contemporary history.
“Wandering in the Field” by Louis C. Knecht, published in 1891, took Fitzgerald’s famous poems in the same style: He wrote an entire story in just four lines, and he followed that up with four lines of prose. In this the writer uses a different type of writing style than the standard style in which we would expect poets to perform these poems. He even included many details of the whole poem, for example at one point, he is referring to the “first day of February” as a special day for this very poem. The authors of this work do such a great job of depicting the poetic quality of writing. Even before they put out this book—to see if if it was still viable in its earlier form—the poets at the time seemed to try to imitate them. Of course, it’s not that the authors weren’t good—as they seemed to have realized that their style was changing; they had no choice. There are only so many ways to make a book this good as far as one goes into it.
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