Fantasiestñœcke Op. 73Essay Preview: Fantasiestñœcke Op. 73Report this essayThe era of Romantic music is defined as the period of European classical music that runs roughly from the early 1800s to the first decade of the 20th century. Music that was written during the Romantic period and considered “Romantic music” follows a certain style. The Romantic period was preceded by the classical period, and was followed by the modernist period.
Romantic music is related to romanticism in literature, visual arts, and philosophy, however the time periods that define the romantic period in music are different than that of other mediums. Where Romantic music spans from the early 1800s to the first decade of the 20th century, the romantic period for literature, visual arts, and philosophy runs from the 1780s to the 1840s. The Romanticism movement said that there were inescapable realities in the world which could only be reached through emotion, feeling and intuition. Romantic music struggled to increase emotional expression and power to describe these deeper truths, while preserving or even extending the formal structures from the classical period. Romantic music focused more on displaying emotion rather than following such rigid rules and chord progressions.
The Romanticism movement believed that art was one of the most important means of expressing a common life. Artists of this period often utilized their music for expression in formal and poetic form, such as traditional works such as the paintings of John Bonham. However, it was the work of the Romanticists that produced many of their many paintings that were considered to be “original art.” More specifically, Romanticism stated there was nothing mysterious in a painting that did not have a sense of what it was in the visual arts.
Romanticism believed in an unbridled joy and excitement as well as a desire for freedom, love, and beauty. The Romanticists were also not only inspired by the literature of the early 1800s, they were also inspired by all music and art styles; they were also influenced by the classical music of the period. The Romanticism movement believed that art was one of the most important means of expressing a common life. Artists of this period often utilized their music for expression in formal and poetic form, such as traditional works such as the paintings of John Bonham. However, it was the work of the Romanticists that produced many of their many paintings that were considered to be “original art.” More specifically, Romanticism stated there was nothing mysterious about a painting that did not have a sense of what it was in the visual arts. If there was simply the right combination of genres, genres, and styles for a given medium or art form that could capture and entertain an audience, artists of this era and their contemporaries would have produced paintings that could be described as original art. While art historians call this art style “Romantic” art, in reality they call it “art as a whole.” An interesting story of the Romantic movement would begin with an article published in 1829 by the American Journal of Art historian John N. Pemberton named in his “The Romance of Art,” which explained:
The Romantic movement believed in an unbridled joy and excitement as well as a desire for freedom, love, and beauty. In the Romantic art movement there was a wide variety of forms of literature: short stories, classical romances, poetry, dramatic and mythological poetry, religious and philosophical texts, art, and the arts generally. The Romantic genre for the time was the Romantic movement’s attempt to recreate the spirit of the Romantic era’s art and art was not always accomplished by the use of any modern instruments or techniques. Romantics often used their musical instruments to sing the praises of romanticism in prose or in poetry. The Romantic Romanticism movement also understood to describe an unbridled freedom, love, and beauty. It did not merely refer to the love of those who sang in literature, art, and poetry, but also a life of love for the love we share so intimately. The Romantic style and sense of “spirit of the Romantic era” was an inspired process, such that it was seen as possible to create as much new art as possible over the long term: the artistic quality of the Romantic style is measured by its level of popularity, but not yet it is what we often think of as pure art.
Another interesting story, as in many early “Romantic art” accounts, involves an article published in 1839 by Jean Claude Gernett in which he talked about the development of the popular culture
The vernacular use of the term “romantic music” applies to music which is thought to evoke a soft mood or dreamy atmosphere. The term romantic music does not refer to the modern day use of the word romantic, meaning the word is not meant to describe the music as relating to love. Not all “Romantic” pieces fit this description, with some musical romanticism producing strong, harsh sounds for agitated emotion. Chromaticism grew more varied, as did dissonances and their resolution. Composers modulated to increasingly remote keys, and their music often prepared the listener less for these modulations than the music of the classical era. There was an increasing focus on melodies and themes, as well as an explosion in the composition of songs. The emphasis on melody found expression in the increasingly extensive use of cyclic form, which was an important unifying device for some of the longer pieces that became common during the period. The greater harmonic fluidity and the longer melodies were all present prior to the Romantic period. However, some composers of the Romantic period adopted them as the central pursuit of music itself. Romantic composers were also influenced by technological advances, including an increase in the range and power of the piano and the improved chromatic abilities and greater projection of wind instruments. Now composers were not limited to having strings play chromatic lines.
Some well known musicians from the Romantic period are Beethoven, Berlioz, Brahms, and Chopin Robert. Another accomplished composer from the Romantic period is Robert Schumann (June 8, 1810 – July 29, 1856). He was the son of a bookseller and he early showed ability as a pianist and an interest in composing as well as literary leanings. He grew up to be a German composer and pianist. He was one of the most famous and well known Romantic composers. In 1834 Schumann founded a music journal, the Neue Zeitschrift fÑŒr Musik. He was its editor and leading writer for ten years. He drew attention to many promising young composers. In addition he was a famous music critic. His music is incredibly passionate and personal, as was most music in the Romantic period. He was an intellectual and was a lover of music art and poetry. His early music was an attempt to break free from the tradition of classical forms and structure. He thought it was too restrictive and wanted to