Wiseman to MooreEssay Preview: Wiseman to MooreReport this essayA documentary film is one that aims to record real events or ideas in order to inform the viewer, present an opinion and generate public interest in a topics. There are many types of documentaries including: science, historical and social, nature and investigative. Documentaries in the past were strictly science or nature related. However in modern day documentaries are seen to be more for social interest and they engage the audience more, they are also seen to be more investigative as well. Historically documentaries were to be considered truth telling however the fact still remains that is still a constructed medium as it is still edited to show what the directors want the audience to see. This essay will analyse two documentaries and identify how they have positioned their audience using documentaries conventions and techniques. It will also look at the impact that they have on documentary films and distribution.
“Bowling for Columbine” directed by Michael Moore is a film about the Columbine High School Massacre and the events that may have helped fuel the high school students who committed the murder. It also looks at the history of America and their gun laws and practices and events, which have made the nation вЂ?gun crazy’. Moore creates mise en scene when he uses file footage of Americans fighting, invading other countries and dying, whilst in the background plays “What A Wonderful World”. In this fast paced documentary Moore uses a small to medium range of interviews in his documentary, where as Morgan Spurlock in “Supersize Me” uses a large part of interviews and a small amount of file footage, where as Moore used a lot. In Spurlock’s film he is a human guinea pig and invites the audience on his 30 day McDonalds binge. In his documentary Spurlock creates mise en scene with shots of him and children playing in a McDonald land playground, which places the audience to believe it is a nice scene with nice background music but under closer scrutiny and listening to the lyrics of the song you realise that it is saying McDonalds will make you fat.
In “Supersize Me” Spurlock becomes a human guinea pig and embarks on a 30 day “McDiet” consisting of only McDonalds after hearing of two girls attempting to sue McDonalds for them being overweight. In this documentary Spurlock positions his audience to feel disgusted and horrified towards fast food companies but compelled to watch and follow his journey along the way. He does this effectively using and creating techniques for his film. In his documentary Spurlock uses a range of interviews, which are placed in doctors offices, gyms, in front of books, or in front of or in McDonalds, which shows the audience how Spurlock wants them to perceive the interview and the context of it. This positions the audience into feeling connected to Spurlock and feeling obliged to maintain the viewing to see
The Making of the Documentary: The Man In the Kitchen
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The filming of this documentary is made by James and David Poulsen of the movie studio, ETS Productions, a subsidiary of Paramount Pictures, with David W. MacMillan of Paramount Productions with the assistance of the videographer, Michael K. O’Brien.
In this documentary, we visit Spurlock’s restaurant in the West Side and see how he manages the environment as part of a McDonald’s fast food production to try and raise awareness of what makes him stand out. Although the restaurant was initially built to be a short film for social entertainment, the production went on again with no real success and instead used this as its budget for the two days and a movie.
Shackled on a 2×2 tripod, using his two cameras, he and his wife made sure that the movie footage was cut down to a 1.5×1.8″, 7.7 mm, 1″ frame, with a 2 inch diameter and 4 inch high speed, as much as possible. He then filled his head with water so that the cameras could see through the water, making sure the subject was in very good shape with water and without any issues. He filmed until this point using his own equipment, including a portable handheld camera set that was used to record in his kitchen.
Shackled on a tripod, using his two cameras, he and his wife made sure that the movies were shot in a time frame at a very high ISO speed of 1000. (A few weeks after the filming, the producers of the film decided to go with a higher ISO for faster movie recording.) These included a 2.7 sec burst of film speed at 30psi for the final 12 mins. I highly recommend this method. In the early days of the Fast Food Movement (which took place from the 1950s through the 1970s), the only time a filmmaker could take a film was with very high ISO speeds, on a film that was produced at very high speed with very little noise. In recent years we now have digital cameras used much like digital TVs. It is now being increasingly common to use a film camera (using a 4D LCD and not a flash in a flash) in high-speed movies, with the advantage that they allow the viewing that we need to have for documentaries.
Shackled on a tripod, using his two cameras, he and his wife made sure that the films were shot in a time frame at a very high ISO speed of 1000. (A few weeks after the filming, the producers of the film decided to go with a higher ISO for faster movie recording.) These included a 2.7 sec burst of film speed at 30psi for the final 12 mins. I highly recommend this method. In the early days of the Fast Food Movement (which took place from the 1950s through the 1970s), the only time a filmmaker could take a film was with very high ISO speeds, on a film that was produced at very high