Hamlet’s Obsession with Death
Hamlet’s Obsession with Death
Hamlets Obsession With Death
In Hamlet, William Shakespeare presents the main character Hamlet as a man who is fixated on death. Shakespeare uses this obsession to explore both Hamlets desire for revenge and his need for assurance. In the process, Shakespeare directs Hamlet to reflect on basic principles such as justice and truth by offering many examples of Hamlets compulsive behavior; as thoughts of death are never far from his mind. It is apparent that Hamlet is haunted by his fathers death. When Hamlet encounters the ghost of his father, their conversation raises all kinds of unthinkable questions, for example murder by a brother, unfaithful mother, that triggers Hamlets obsession. He feels compelled to determine the reliability of the ghosts statements so that he can determine how he must act. Ultimately, it is his obsession with death that leads to Hamlet avenging the death of his father by killing Claudius.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. “To be or not to be: that is the question: / whether tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more” (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, “The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of” (3.1.87-90), again revealing his growing concern with “Truth” and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlets execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlets obsession with death also fuels his desire for revenge, for instance when he revisits the ghost and he explains how he died. Hamlet, saying, “O my prophetic soul! My uncle” (1.5.48), realizes that Claudius, his uncle and the new King, is the one who killed his father. The ghost demands that Hamlet revenge his fathers death and the treacherous acts of the murderer. The ghost already has an idea in his own mind about his revenge when he says, “But howsomever thou pursues this act, / taint not thy mind, nor let thy soul contrive / against thy mother aught” (1.5.91-93). Hamlet hides his desire for revenge by saying, “Theres never a villain Dwelling in all Denmark but hes an arrant knave” (1.5.137-138). When Hamlet finds out that his friends had heard the whole conversation between the ghost and himself, he makes them swear not to say a thing, and intentionally pretends to be crazy. Hamlets madness also allows him to avoid truth in his pursuit of revenge. Although Hamlet overtly wants to know the truth, his behavior is quite contradicting. By avoiding a confrontation with Claudius and accusing him directly of wrongdoing, Hamlet also avoids the possibility of truly knowing what happened.
In general, however, Hamlet is a man who needs to be in control of his actions and assured of the outcomes. Hamlet does not act rashly, but continuously delays his actions while he tries to obtain more accurate knowledge about what he should do. From Act 1 through Act 4, Hamlet carefully thinks through every detail. Finally he comes to the realization that revenge is not always the best solution. He then moves beyond his earlier need to settle the score and asks for