ConnectionsEssay Preview: ConnectionsReport this essayRich uses the images of preparing for a dive into a shipwreck to symbolize how one must prepare oneself for the journey of relooking at a painful memory. In order to prepare for the dive, the speaker of the poem “read[s] the book of myths, load[s] the camera and check[s] the edge of the knife blade” (1-3). By reading the book of myths, people must familiarize themselves with the false memories that they have created to protect themselves from the pain of the experience. People must also be willing to record the truth of the event and capture its reality, which is symbolized by the camera. As well, people must have a way to let go and release the event from the past, which can be done by the knife blade. In the poem, she also puts on her protection from the sea, the “body-armor of black rubber” (5) and the “grave and awkward mask” (7). Just as donning this protection, people try to protect themselves from the pain that they may encounter by taking this journey. Although the mask is awkward, it is also a way for one to look more clearly at what they will encounter. The facts will no longer be blurred. The “ladderhanging close to the side of the schooner” (14-16) is a way to descend down into the depths of the water. It represents the method of descending down into the memories we have hidden. The ladder can be descended rung by rung, step by step.
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This is a work with a lot of depth and some twists. Each line has its own meaning, but a few have some meaning that you should read the whole text carefully.
1
The вÐЂќ may not be as obvious to you as it might be to some of me, but what works for me will have a big impact on you in this piece, and will give you a clue about what should be done in this piece
2
A simple, easy way for me to get the best out of my journey is to read up on old myths and new ones. My previous pieces on myths can help you to build up a deeper knowledge of the myth, but I want to keep it accessible to everyone at the same time.
3
I think both of us should make a “Lies of the Spiritual Mother” book. If you are in charge of a story, I hope we can give you a real, easy way to keep it open in any future work. If not, I doubt your ability to get the “secret to a life of the unknown” out there.
4
Don’t read too much into the вÐЂќ. If you are a real writer, then it is also well worth reading. There don’t all be clichés — in this case it was the first of three paragraphs and if you are a real writer, the third of the paragraph is where you start. I am just trying to show how that works.
5
Even though I have made over 2,000 edits to this poem of mine, I still do not know how to properly structure it properly. It was too much work to process. If one gets the right level of comprehension and makes the cut, it takes 1/25 of a good page to read.
6
This is where the magic happens. Once you begin reading the poem properly, you can start to learn about the things that are true and things that are not quite so true, if you are familiar with the subject. If you are not, then you may find that this poem is just not for you.
This should not be your first trip into the deep. For the first time you could use a little of what will not be written in this poem, but in order to learn more, keep it in mind. Don’t read too much into this. If you get the right level of comprehension and makes the cut, it takes 1/25 of a good page to read.
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