Whitman
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Whitmans grand poem is, in its way, an American epic. Beginning in medias res–in the middle of the poets life–it loosely follows a quest pattern. “Missing me one place search another,” he tells his reader, “I stop somewhere waiting for you.” In its catalogues of American life and its constant search for the boundaries of the self “Song of Myself” has much in common with classical epic. This epic sense of purpose, though, is coupled with an almost Keatsian valorization of repose and passive perception. Since for Whitman the birthplace of poetry is in the self, the best way to learn about poetry is to relax and watch the workings of ones own mind.
While “Song of Myself” is crammed with significant detail, there are three key episodes that must be examined. The first of these is found in the sixth section of the poem. A child asks the narrator “What is the grass?” and the narrator is forced to explore his own use of symbolism and his inability to break things down to essential principles. The bunches of grass in the childs hands become