Cubism
Essay title: Cubism
Cubism is the most radical, innovative, and influential ism of twentieth-century art. It is complete denial of Classical conception of beauty.
Cubism was the joint invention of two men, Pablo Picasso and Georges Braque. Their achievement was built the foundation of Picassos early work then developed to a Synthetic Cubism. As the various phases of Cubism emerged from their studios, it became clear to the art world that something of great significance was happening. The radical innovations of the new style confused the public, but the avant-garde saw in them the future of art and new challenge.
Proportions, organic integrity and continuity of life samples and material objects are abandoned. Canvas resembles “a field of broken glass” as one vicious critic noted. This geometrically analytical approach to form and color, and shattering of object in focus into geometrical sharp-edged angular pieces baptized the movement into Cubism. A close look reveals very methodical destruction or rather deconstruction into angular 3-dymensional shaded facets, some of which are caving others convex. Cubism distrusts “whole” images perceived by the retina, considers them artificial and conventional, based on the influence of past art.