Madame Mao
Essay Preview: Madame Mao
Report this essay
The novel begins in 1919 with Yunhe, a four-year-old girl born to a rural concubine who defiantly refuses to have her feet bound. Again and again her mother tells the girl that “females are like grass, born to be stepped on,” but the girl doesnt listen and throughout her life clings to the belief that she is “a peacock among hens.” After abandoning an arranged marriage and being abandoned in another marriage, Yunhe runs away to Shanghai to become an actress and renames herself Lan Ping. In her new identity she pursues roles on stage and screen but never gets out of B movies and second-tier operas. Another failed marriage leads her to the role of patriot, and she joins the Red Army. She is sent to the mountainous region of Yenan, where, in 1934, she meets and seduces the charismatic war hero Mao. She wins him for a time in an erotically charged and passionate affair. They marry and he renames her Jiang Ching, but soon after their marriage her jealousy, the machinations of Maos trusted aides, and Maos own loss of interest cast her into limbo. By now a veteran of the inner-circle betrayals that Mao encouraged, Jiang Ching attempts to gain personal power, but it becomes her undoing.
Min fluidly details her heroines series of love affairs and marriages, divorces and acrimonious partings, roles in Chinas operas and movies, endurance in the shadow of Maos disfavor, desperate ploys to regain his attention, and brief time in the limelight during the Cultural Revolution. As a chronicle of ambition, betrayal, murder, revenge, barbaric cruelty, paranoia, and internecine rivalry, the narrative races from 1919 to 1991. But Becoming Madame Mao “is foremost a character study of a determined, vindictive, rage-filled, cruel, and emotionally needy woman,” writes Publishers Weekly, “who flourished because she reinvented herself as an actress in different self-defined roles — and because China was ready for her.”
Jiang Ching was beloved by the Chinese people as the driving force behind the proletarian operas and films that inspired millions. As an architect of the excesses of the Cultural Revolution and supposed murderer of Mao, however, she was despised and sentenced to death. Despite being a victim of The Cultural Revolution, Anchee Min felt it was her job as a writer to understand Jiang Ching as a human being. “In truth,” says Min, “she was an early feminist who was caught up in the whirlpool of Maos political and personal life.” In Becoming Madame Mao, Min opens Jiang Chings soul for all to see — the good and the bad — and gives voice to a conflicted, impassioned woman who has been rubbed out of history.