Macbeth: Banquet Scene
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Macbeth: Banquet Scene
The Banquet scene in “Macbeth” is one of the most moving scenes and so far as the tragedy of Macbeth is concerned, it is tremendous in impact and intensity, dramatic in impact. The scene shows a perceptible degeneration of Macbeths mental powers which is the inevitable consequence of his murderous deeds. It is the crisis of the play where from the reversal of Macbeths fortune begins. The scene records Macbeths guilty conscience taking the most horrible form in the shape of Banquos ghost. It also shows Macbeths gradual overcoming of the qualms of conscience.
Shakespeare has used ghosts in his other main tragedies like “Julius Caesar” and “Hamlet”. In the opening scene of “Hamlet” the ghost is seen by Mercellas, Barnerdo, Horatio and finally by Hamlet. The ghost that appears in Gertrudes bed chamber is a projection of Hamlets stricken conscience and is seen by Hamlet alone. Likewise in the Banquet scene, Banquos ghost is seen by Macbeth alone. That they see ghosts is both with Macbeth and Hamlet the strongest proof of their imaginative faculty. In fact Shakespeares world of spirit appears as the physical embodiment of the images conjured up by lively fancy and the presence of the apparition is felt only by those who have an excitable imagination.
However, the ghost in the Banquet scene of Macbeth is not merely a stage device, but an integral part of the tragedy. The ghost in Macbeth can be interpreted as the subjective projection of Macbeths own troubled sense of morality.
This scene has been preceded by the murder of Banquo. After his murder, feasting at Macbeths palace is significantly emphasized. Hospitality is bounteous. But the appearance of the murderer withdraws Macbeths attention. The murderer appears with ominous tidings helping to set the tempo of the play. In reply to his:
“My lord, his throat is cut
That I did for him”- Macbeth replies in a tone naively innocent irony:
“Thou art the best oth cut-throats
Yet hes good that did the like for Fleance
If thou didst it, thou art the nonpareil”.
This statement of his provides a clear psychological analysis of his character. This Macbeth is a man who is rapidly passing out of the range of sympathy. However, when the murderer reports that Fleance has managed to escape, safety eludes his grasp, and fear again seizes him.
Against this life force of feasting, social friendliness and order, comes a death, a ghost smashing life forms with phantasms of evil and guilt, an unreality, a nothing, like the air drawn dagger creating chaos of order and reality. It is the conquest of the real and the life giving by the unreal and deathly.
Macbeth has not murdered Banquo with his own hands but has procured it, because there is some strange notion in his mind that the thought of a dead man will not haunt him this time like that of Duncan if the deed is done by some other hands. But with the appearance of Banquos