Billy Elliot Case
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The 2000 film “Billy Elliot” deals with the roles of men in many layers. The underlying purpose of the film is not merely the points of plot, which allow men to defy stereotypes, but also to expose the hypocrisy of people to desire change which benefits them, but not to accept change which they do not understand.
Hypocrisy is most clearly open to the viewer in the scene in which the dance teacher, Mrs. Wilkinson (played by Julia Walters), comes to the home of the Elliot family, and entreats Billies father, Jackie (played by Gary Lewis), to allow his eleven year old son to audition for a place in the Royal Ballet School. This scene is the culmination of Billies rebellion against social norms, in the same way that the scene in which the coal miners are running from the police is the culmination of the father and brothers characters rebellion against the social construct that as laborers, or blue collar workers, they have no right to complain. They work against this assumed role of subservience by going on strike, while Billie does so with his ballet training. The “discussion” that ensues is more of a yelling-match than anything else, between Mrs. Wilkinsons character and that of Billies brother, Tony (played by Jamie Draven). At one point Tony puts Billie on the table and commands him to dance, this displays the powerlessness of Billies position both as the youngest member of the household and more symbolically of his being placed in to a definition of a man by the society (rural, conservative, traditional England) he was born in to. The commandeering attitude of Tonys character exposes the hypocrisy of men fighting for change on their own terms, but not accepting that change in ways they are dont understand.