Conformity and Individuality in a Small Town
Conformity and Individuality in a Small Town
Chad Albrecht
English 1302
July 28, 2005
Conformity and Individuality in a Small Town
John Updike was born in Shillington, Pennsylvania on March 18, 1932. His father was a high school math teacher who supported the entire family, including his grandparents on his mothers side. As a child, Updike wanted to become a cartoonist because of The New Yorker magazine. He wrote articles and poems and kept a journal. John was an exceptional student and received a full scholarship to Harvard University. At Harvard he majored in English and became the editor of the Harvard newspaper. Upon graduation in 1954, he wrote his first story, Friends from Philadelphia, and sent it to The New Yorker. This started his career and he became one of the great award winning authors of our time.
In a transcript of a radio interview with Updike, he says his duties in the early works were to âdescribe reality as it had come to me, to give the mundane its beautiful due.â (
The âA&Pâ written by John is about middle and, presumed, upper middle class life and the characters are ones that people can easily identify with. There is the teenage boy, Sammy, working a meaningless job ogling scantily clad teenage girls, a married man with children, Stokesie, doing the same, an uptight store manager, Lengel, who, in this case, is a man but could have easily been a woman in todayâs society, the insecure teenage girls, who Sammy nicknamed âPlaidâ and âBig Tall Goonie-Goonie, following around their âleader,â the leader herself, Queenie, who is confident in her socioeconomic status as well as her appearance, the housewives who cover themselves in public, the cash-register-watcher, the âsheepâ or the other people in the A&P doing their grocery shopping, and the butcher, McMahon. All of these characters allow any reader to identify with them in some way, whether past or present.
The story takes place on a summer afternoon in an eastern coastal town at a local grocery store, the A & P. The protagonist is Sammy; is a teenaged boy who works at the A&P. Sammy is also the narrator of the story, the reader sees through his eyes and knows his thoughts. This story, which chronicles an afternoon at the A&P, could be called a âcoming of ageâ story, due to Sammyâs stand against authority and his decision to make his own choice regardless of the consequences. Sammy observes the three barefoot bikini clad girls enter the store and walk around. The story proceeds to explain the reactions of the customers and employees in the grocery store to the nearly naked teenage girls. Sammyâs contempt for the customers is apparent as he calls them âsheepâ and âhouse slavesâ and, one in particular, a âwitch.â Sammy describes the appearance of each of the girls in great detail, much more than any of the other customers or employees. Lengel comes out of his managersâ office and tells the girls they are inappropriately dressed and embarrasses them in front of the other customers. Queenie tells Lengel that they are dressed decent and he tells them he doesnât want to argue with them and says itâs store âpolicyâ for the customers to have their shoulders covered when they come into the A&P. Sammy feels sorry for the embarrassment Lengel causes the girls and, hoping to be the girls âhero,â he quits. Sammy feels as if he is defending their honor by quitting, but they donât even notice. He leaves the store and looks for them on the street, but they are no where to be found.
Repeated themes of sexuality, individuality, and conforming are apparent throughout the story. The sexuality is apparent when Sammy describes the chunky girls as havingââŠa good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs.â He describes the second girl as âwith black hair that hadnt quite frizzed right, and one of these sunburns right across under the eyes, and a chin that was too long — you know, the kind of girl other girls think is very “striking” and “attractiveâŠâ Sammy goes into greater detail about the third girl who he calls âQueenieâ saying she had âlong white prima donna legs,â âthis clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light,â and describes her breasts as âthe two smoothest scoops of vanilla I had ever known.â Even though you donât know