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Spellbound
Quick — Can you spell logorrhea? Cephalgia? Opsimath? If the concept of a spelling bee leaves you yearning for an evening of watching paint dry, think again. Spellbound is one of the most compelling and suspenseful films of the year.
Eight adolescent wordsmiths from around the country are at the core of this dramatic nail-biter. They come from all walks of life — a cross-section of contemporary Americana competing against 241 other national honors students who are passionate about words.
From the Texas panhandle migrant farmworkers daughter and the eldest African-American daughter of a single mom from the Washington D.C. projects, to the only child of Connecticut-based well-to-do white-collar professionals, Spellbound totes its equal-opportunity documentary cameras into the homes and lives of orthodontured and bespectacled youngsters, examining the backgrounds, desire and grit of youngsters and parents alike, who seek glory by means of obscure spelling words.
Founded in 1925, the National Spelling Bee is one of the great American traditions, a healthy competition for bright teens who enjoy the English language. Pushy stage parents and their fiercely competitive offspring have raised the battle bar, working the system with a single-minded determination that drums a primal survival-of-the-fittest beat. Homespun efforts (Scrabble) jockey with pricier strategies (private tutors and eight-hour memorization marathons) for the big payoff.
The constant threat of elimination as the participants are picked off round by round (signaled by the sharp ping of a bell when a word is spelled incorrectly) is as agonizing as it is thrilling. Welcome comic relief arrives in the form of one ungainly Harry Altman, a young rubber-faced speller who lends new meaning to the word oddball. Harrys boundless energy and elastic expressions pave the way for genuine laughs while the stress is mounting.
It may not do for spelling what Searching for Bobby Fischer did for chess, but Spellbound is a real winner.