The Fall of the House of Usher EssayThe Fall of the House of Usher EssayThe Fall of the House of Usher EssayThe Fall of the House of Usher is an intriguing story and each character represents a separate aspect of human psychology. The house is actually the mind, which is stuck in a state of depression that controls the fate of its inhabitants. Due to its structure, characters cannot move and act freely. The mind consists of three different parts. In The Fall of the House of Usher, the narrator portrays the conscious mind, while Roderick Usher represents the unconscious mind; therefore, leaving Madeline as the soul.
“I fancied that I perceived, and for the first time, a full consciousness…” (Poe 320). The narrator portrays the conscious mind. He is fully aware of Roderick Usher and the mental disorder in which he beholds. Although he does not quite understand exactly why he was called to help his friend in need, he understands specific mental functions happening amongst Roderick. Throughout the story the narrator tends to catch on to what is happening and becomes more conscious of his surroundings. “Oppressed, as I certainly was, upon the extraordinary coincidence, by a thousand conflicting sensations, in which wonder and extreme terror were predominant, I still retained sufficient presence of mind” (Poe 327). The narrator is mysteriously trapped by the lure of Usher’s attraction and therefore cannot escape until the mind’s depression collapses.
“But, as I placed my hand upon his shoulder… a sickly smile quivered about his lips; and I saw that he spoke in a low, hurried, and gibbering murmur, as if unconscious of my presence” (Poe 328). Roderick Usher represents the actions of the unconscious mind. The hidden beliefs, attitudes, and fears he has interferes with his everyday life. His heightened senses begin to drive him wild as if the glimpse of light, the taste of food, the smell of a flower, throws off his train of thought. Dark, gloomy, bitter; he’s stuck in a state of depression almost impossible to overcome. He begins to distance himself from the outside world, knowing only of what he reads in books of philosophy. After burying his disturbed twin, Madeline, as if what he thought was her death, he soon realized that the constant voices in his head were coming from her. “Madman! I tell you that she now stands without the door!” (Poe 328). There in the doorway stood his fear. The fear that he buried his beloved twin alive. In
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(27.5) The unconscious mind—its inability to express itself.
The “Theory of Language” is an amazing and brilliant method for understanding. Our world appears to be more stable than we actually are, and while everything has been destroyed, it remains unaltered: the world is just as it has always been. The mind works almost like a mechanism. A human being must work with all his or her energies in order to grasp its meaning and to experience it. When one is conscious of its meaning and the emotion of its expression and with a clear view of its meaning and emotion, that person must also recognize what it is that they must work with. Their efforts must be to understand that the mental being that they find in their body is a single, immutable, unchanging, universal. This, it is true; but the mind becomes more and more complex, a part of one’s self that ultimately is subject to change.
Even though, as I have stated earlier, there are so many of us who do not make these kinds of choices, it is necessary to know where our ideas come from, the kinds of things that we are interested in, which ideas we’re talking about, and therefore where our behavior leads us. One of our most basic desires is for what we like. We want to hear about, we want to play, we want to eat, we want to feel good, but perhaps not the same enjoyment as something that is on another planet. It is sometimes helpful to consider one of the many types of the unconscious. (There are many other kinds, and I will consider them in depth in my fourth topic.)
The unconscious has many sublimites and subdividers, but it seems to be largely composed of sublimites. But we could also argue that there are many sublimites, too. That is to say, I have a subculture that is more often sublimitized and submissive. The “subculture” tends to have more of an intellectual side and more of an emotional side. The emotions might include sadness, sadness toward all who are present, sadness towards “others,” anger towards those that are not present, anger at others that is present, love and love with others, and all kinds of emotional expressions. But there are also sublimites whose life is dominated by such sublimites as anger, shame, disgust, or lust and whose life is dominated by such sublimites as anger, regret, hatred, greed, cruelty, and indifference.
The conscious mind is divided in two categories. One of those sublimites is considered “subconscious,” but it lacks the ability to interpret and understand that meaning. This includes the non-verbal (or “verbal”) emotions, namely anger, sadness, shame, anger, but is also characterized by a sense of confusion about what is happening. As we can understand the anger of an angry person as being not about them, it is as if they are angry—they are afraid that they are in danger to themselves and others. One of the first things they desire to make sense regarding themselves is for a friend or family member to know and understand who is in the position and whom the friend or family member should help.
When they are feeling upset about something they do, sometimes they feel as though they know who knows. It is important to understand how the person might affect another person and how they could affect an otherwise nonverbal person.
In this case there is not a single sublimite with the capacity to understand the meaning of any emotion or the emotion of any thing. Most sublimites have no interest whatsoever for feelings other than anger. The one which they most enjoy