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The more famous commercials and print advertising featured dark silhouetted characters against bright-colored backgrounds. The silhouettes are usually dancing, and in television commercials are backed by up-beat music. The silhouettes are also usually holding iPods and listening to them with Apples supplied earphones. These distinctively appear in white, so that they stand out against the colored background and black silhouettes. Apple seems to change the style of these commercials quite often depending on the songs theme or genre.
The original television commercials and posters featured solid black silhouettes against a solid bright color, which usually changed every time the camera angle changed. Some of the television adverts also depicted highlights on the silhouettes using darkened shades of the background color, and shadows on the floor. Since then, various commercials in the campaign have changed the format further:
One live action TV commercial made reference to the silhouette theme to emphasize its icon status. It involved a man walking past a set of silhouette posters, which came to life and danced when his iPod was playing, but froze when he paused it.
The TV commercials for the iPod shuffle used a green background with black arrows moving in the background representing the “shuffle” icon. The silhouettes danced on top of the arrows as if they were a moving floor while listening to iPod shuffles hanging from white lanyards.
Following the release of the fifth-generation iPod, two TV commercials, one featuring Eminem and the other Wynton Marsalis, made radical changes to the style, by exchanging the solid changing backgrounds for abstract composite backgrounds based around a main color (orange and blue respectively). The camera shots alternate between the artists performing their songs (Eminem sporting a white microphone, Marsalis drummer sporting white drumsticks) and traditional silhouette dancers listening to iPods. The solid silhouette were also traded for a more varied silhouette, which shows certain facial features of a person. Apple CEO Steve Jobs has suggested that this more complex composition will be the style of future commercials as well.
In early 2006 a new type of iPod commercial was released. It was thirty seconds, and it spotlighted album art. The album art was constructed into a city, and then dismantled and it flowed into an iPod nano and said “1,000 songs in your pocket”, the slogan for the 1st Generation iPod.
In August 2006, another reimagining of the iPod commercial was introduced through an ad for Bob Dylans album available in the music store, Modern Times. In this new style, the only silhouette facet of it was that it seemed lighting was reduced on the figure of Bob Dylan and the female dancer, while the iPod was brightened. Color variation, as well as reflection on the face of the guitar, is evident. The ad is much more realistic and the people, as well as details, are much more visible. This ad was an almost complete departure from the traditional, and even the Eminem-styled adverts of the past.
In September of 2006, Apple once again reimagined their vision of the silhouette ad campaign to go with the new iPod nano aluminum case. They made a departure from the contrasting background and characters. Both the characters and the background are thrown into deeper shadow than weve ever seen before, and, in order to showcase the new colors of the nano, the characters swing their nanos around while dancing, which leaves