Heart Of Darkness And Self Actualization
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On the surface Joseph Conrads Heart of Darkness is a story of adventure, suspense, and mystery, but beneath its literal exterior lays a philosophical undercurrent: the quest towards self-actualization. The novel begins on the Thames River in London where five seamen sit “with silence onboard the yacht” watching the sun set, feeling “meditative, and fit for nothing but placid staring.” The adventure is prefaced and foreshadowed by the images created by in the opening pages. The narrator first describes Marlow as a man who “followed the sea with reverence and affection” and compares him to the heroic adventurers of the past, the settlers who sailed before him, and to the greatness that had taken the same path. Something is different about this character and this fact is apparent from the outset, he was “different from his class”. Marlows personal distinction allows for the quest. When he was young he longingly looked at maps with desires to seek out the uncharted lands and he desires to sail to the center of the earth, which turns out to be the center of his soul.
The setting of the novel and the basic plot allow for the quest of self-actualization. The fact that Marlow is on a literal journey to the depths of the African Congo extends to include his metaphysical journey to the depths of his soul. The African Congo permits the journey of self-discovery because it is lacking all external restraint. “Anything can be done in this country” is how Marlow describes it. Humans are free from the forces of civilization and are able to find themselves because there is silence, silence from external restraint. The jungle is literally and figuratively dark which also permits for the self-actualization to occur, as there is nothing but ones self and darkness. Without this silence and darkness the characters would not be able to look into themselves because of the distractions imposed on them by civilization. It is a “region of the first ages a mans untrammeled feet may take him into by way of solitude – utter solitude without a policeman – by the way of silence – utter silence, where no warning voice can be heard whispering”. By removing ones self from the noise of civilization, from the neighborhood of the city, and by taking away the abstract “policeman” a person can find himself. Without darkness as the background Kurtz would not stand out to Marlow. It is the contrast against the surroundings of darkness and conquering that allows Marlow to see “remarkable” things in Kurtz and eventually understand his self-actualization. The duality of light and dark (the darkness of the wilderness and the light of Kurtz) makes Kurtz, and, more specifically his journey towards self-actualization, vivid in the eyes of Marlow.
Marlows self-realization comes after and through Kurtzs same journey. The central plot is Marlow searching for