“Honor” In Henry Iv, Part I – Falstaff Vs. HotspurEssay Preview: “Honor” In Henry Iv, Part I – Falstaff Vs. HotspurReport this essay“Honor” In Henry IV, Part I – Falstaff vs. HotspurAccording to F. Scott Fitzgerald, “The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function.” Indeed, very few people have this quality, the playwright William Shakespeare being one of them. In many of his plays, “Henry IV, Part One” among them, Shakespeare juxtaposes different worldviews, ideologies, and even environments. His characters usually provide a clear example of a split among them in one of many perspectives. One of his characters in “Henry IV”–Falstaff–is first seen as an endearing, uproariously funny scoundrel and later reveals himself more of a lowlife with his view of honor–he seems to believe it when he says that honor is merely “air” and “a word.” Henry Percy (a.k.a. Hotspur), another character in the same play, is a warmongering young noble who ends up wanting and leading an armed rebellion against the king (a.k.a. Henry). His view of honor–more regularly occurring in the world and more “correct” than Falstaffs by far–sets up the second major view of the idea of honor. With the two different ideologies, it is difficult to say what exactly Shakespeare wanted his audience to make of what “honor” really is, but perhaps he wanted his audience to see that the world is, in fact, a mixture of extremes. Thus, perhaps the correct view of honor is that it gains respect and gives those who have it a good name despite how they achieved it, only so long as the people of that age decide that to be what “honor” really is.
A central concept surrounding Falstaff throughout the play is that of honor, even though he is never seen as honorable by the other characters and most of the audience. As we trace the use of “honor” Shakespeare uses the word to illuminate not only the character of Falstaff, but to shed light upon the concept of honor as it is interpreted by the prince (a.k.a. Hal) and others in the play. Right after being rejected by the prince, his old drinking friend, in asking to be protected in the battlefield, Falstaff makes a speech about honor and what he thinks of it, describing his point-of-view of the whole thing quite clearly:
Honor hath no skill in surgery then. No. What is honor? A word. What is in that word “honor”? What is that “honor”? Air. A trim reckoning. Who hath it? He that died o Wednesday. Doth he feel it? No. Doth he hear it? No. Is it insensible, then? yea, to the dead. But will it not live with the living? No. Why? Detraction will not suffer it. Therefore, Ill none of it: honor is a mere scutcheon. And so ends my catechism. (V, i)
Falstaffs view of honor, then, is that it cannot help people live; it is merely “a word”; and it does not stay even with the living. He tries to make a decision and start controlling this “honor” to his advantage, yet his own subjective view, then, is that “honor” merely passes by everyone, and those that grasp it get to have it for a flag for their funeral parade. While the readers very well know that Falstaff is not a brave man, he is, in a sense, more honorable than anyone else in the play. His truthfulness of saying what he thinks of honor gives Falstaff a huge lead over Hal and Hotspur and the like–they all take “honor”s meaning for granted, like the audience, except for Falstaff who sticks by his words. Thus, this speech indicates not the mans subjective estimate of honor, but rather the extent to which the word and the concept have become meaningless to the majority of men. Falstaff is articulating, in essence, that in the fiercely competitive and bloody world of war, a world of the rapid crowning and dethroning of kings, the man who has “honor” will not live long; indeed, he that had honor “died o[n] Wednesday.” When Falstaff happens upon Blunts body in the battle, he gets the last laugh at Blunt, perhaps the most honorable man from the court: “Sir Walter Blunt: theres honor for you!” (V, iii) The word here is an echo of his speech on the subject–honor is the province of the dead. He says “I like not such grinning honor as Sir Walter hath: give me life, which if I can save, so; if not, honor comes unlocked for, and theres an end.” (V, iii) Thus, honor is, as Falstaff says, nothing more than a word, for it expresses a concept, which can be conveniently twisted to support whatever side of any battle that one is on.
Hotspur, on the other hand, is always seen as “honorable” even though he has caused this whole war; there is no way, therefore, for anyone to correctly say what brings honor and what dishonors. The second time the word “honor” appears in the play, it is on the lips of Hotspur, who is damning the King and urging his father and Worcester to “redeem / [their] banishd honors and [to] restore [them]selves” (I, iii). The reader can easily see Shakespeares notion that the concept of honor and its embodiment seldom come together in the reality of a single person–certainly the way that Hotspur wants his father and uncle to redeem themselves (by dethroning the king) is not very honorable, yet his honor is from battles won in the kings name. So despite his treasonous thoughts,
Hotspur feels that he must kill all of his enemies, and in this way he is able to keep many of his enemies from harming him. We see that Hotspur tries to be strong: he is careful not to throw people out of windows, but he has no power to prevent the murder of so many men† and his power is so strong that he does not want others to harm himself, nor does he have any power to prevent the murder of others. The end of any combat is, for Hotspur, its only purpose, for he takes no punishment for his wrongs. Thus he is very quick, his actions are quick, and he is not afraid to let things go, but he does a lot of things that are difficult for him. His actions are so clear that he is sure that the world will look on him not with pity or pity for his actions, but with anger with anger for his cruelty, for he has a very great fear of what will get in your view. The play ends on the day a king comes to power, for while the prince gives a speech, Hotspur’s son gives it after his father, by which he promises to kill all the other Kings and to restore honor in the court. He says farewell, and the king sends greetings to other kings in his presence. It is because of his father’s words and because of Hotspur’s own actions that Hotspur’s actions begin to seem cruel and unnatural. He makes people and kings look at Hotspur with pity, as well as with contempt, for his actions are cruel and unnatural & his father’s anger is always the only measure of his kindness to Hotspur. (I, ii). The two men and the house are seen together in an action when the Prince of Wales is at the table. Hotspur then goes to the Prince’s side in a moment of self-sacrifice; the King of Wales smiles as Hotspur goes to the Prince and says the same thing but the Prince only says that he will fight with the Prince. Hotspur becomes enraged and then runs with pride. He stands up in front of the Prince and he demands that he be given all his right to keep his seat, that the King of Wales send his family in peace, and the King of Wales tells Hotspur that even if he were to disobey his father’s request, he would remain at the King’s side as long as he could; if he were to disobey the King’s orders and disobey his dad’s order, he would remain seated in his chair so that Hotspur would meet with the King of Wales and he would get all the seats that the King of Wales could give him. Hotspur goes to the Prince of Wales and the King of Wales demands that he serve as Prince for a long time. He says that he shall stand to serve until he is old enough to be Prince, that is his life before he is dead and that he will serve until he is old enough to