Impression Management
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In sociology and social psychology, impression management is the process through which people try to control the impressions other people form of them. It is a goal-directed conscious or unconscious attempt to influence the perceptions of other people about a person, object or event by regulating and controlling information in social interaction. It is usually synonymous with self-presentation, if a person tries to influence the perception of their image.
Impression management (IM) theory states that any individual or organization must establish and maintain impressions that are congruent with the perceptions they want to convey to their publics (Goffman, 1959). From both a communications and public relations viewpoint, the theory of impression management encompasses the vital ways in which one establishes and communicates this congruence between personal or organizational goals and their intended actions which create public perception. The goal is for one to present themselves the way in which they would like to be thought of by the individual or group they are interacting with. This form of management generally applies to the first impression.
The idea that perception is reality is the basis for this sociological and social psychology theory, which is framed around the presumption that the otherĂ²Ăââ˘s perceptions of you or your organization become the reality from which they form ideas and the basis for intended behaviors.
Strategic interpersonal behavior to shape or influence impressions formed by an audience is not a new field; it has a rich history. Plato spoke of the “great stage of human life” and Shakespeare crafted the famous sentence “All the world is a stage, and all the men and women merely players” in the 17th century. Erving Goffman also followed in his seminal book The Presentation of Self in Everyday Life a dramaturgical analogy, in which he said, “All the world is not, of course, a stage, but the crucial ways in which it isnt are not easy to specify.”[citation needed]
Goffman presented Impression management dramaturgically, explaining the motivations behind complex human performances within a social setting based on a play metaphor (Dillard et al., 2000). GoffmanĂ²Ăââ˘s work is written from a symbolic interactionist perspective, emphasizing a qualitative analysis of the interactive nature of the communication process (Barnhart, 1994).
The actor, shaped by the environment and target audience, sees interaction as a performance. The objective of the performance is to provide the audience with an impression consistent with the desired goals of the actor (Barnhart, 1994). In addition to these goals, individuals differ in responses from the interactional environment, some may be irresponsive to audiences reactions while others actively respond to audience reactions in order to elicit positive results. These differences in response towards the environment and target audience is called self-monitoring. Another factor in impression management is self-verification, the act of comforming the audience to the persons self-concept.
The audience can be real or imaginary. IM style norms, part of the mental programming received through socialization, are so fundamental that we usually do not notice our expectations of them. While an actor (speaker) tries to project a desired image, an audience (listener) might attribute a resonant or discordant image.
Self-monitoring theory is a contribution to the psychology of personality, proposed by Mark Snyder in 1974. The theory refers to the process through which people regulate their own behavior in order to “look good” so that they will be perceived by others in a favorable manner. It disintinguishes between high self-monitors, who monitor their behaviour to fit different situations, and low self-monitors, who are more cross-situationally consistent. Snyder designed a questionnaire to assess self-monitoring called the Self-Monitoring Scale, based on the assumption that high self-monitoring could be defined as consisting of:
High concern with the social appropriateness of ones actions;
Use of social comparison information;
Ability to monitor ones behaviour to fit different situations;
Ability to do this in specific situations;
Trait variability
On his original version of the Self-Monitoring Scale, he found that Stanford University students scored significantly higher than psychiatric inpatients, but significantly lower than people in the acting profession. The theory is of interest in that it makes an original contribution to the debate on traits versus Situationism. It effectively says that trait consistency can be found in low self-monitors, whereas