Essay Preview: Sfsf
Report this essay
One of the true masters of contemporary cinema, Iranian filmmaker Abbas Kiarostami has won not only the admiration of audiences and critics worldwide, but also the support of directors as distinguished as Jean-Luc Godard, Nanni Moretti (who made a short film about opening one of Kiarostamis films in his theater in Rome), Chris Marker, and Akira Kurosawa, who has said of Kiarostamis “extraordinary” films: “Words cannot describe my feelings about them and I simply advise you to see his films When Satyajit Ray passed on, I was very depressed. But after seeing Kiarostamis films, I thanked God for giving us just the right person to take his place.”
Though Kiarostami emerged in the West as a major filmmaker in the early 90s–with films like Close-Up and Through the Olive Trees–he had already been making films in Iran for two decades. Born on June 22nd 1940 in Tehran, Kiarostami was interested in the arts from an early age.
In 1969–the year that saw the birth of the Iranian New Wave with Dariush Mehrjuis seminal film “The Cow” Kiarostami helped to set up a filmmaking department at the Institute for Intellectual Development of Children and Young Adults. The departments debut production was Kiarostamis own first film, the twelve-minute Bread and Alley, a charming, neo-realist gem about a small boys perilous walk home from school. The department would go on to become one of Irans most famous film studios, producing not only Kiarostamis films, but also such modern Iranian classics as The Runner and Bashu, the Little Stranger.
Though Kiarostamis films have been compared at various times to those of Satyajit Ray, Vittorio de Sica, Eric Rohmer, or Jacques Tati, they remain uniquely Kiarostamian. Effortlessly simple and conceptually complex in equal measure; poetic, lyrical, meditative, self-reflexive and increasingly sophisticated, they mix fiction and documentary in unique ways, often presenting fact as fiction and fiction as fact. (Kiarostami has said “We can never get close to the truth except through lying.”)
In the 28 years since Bread and Alley, Kiarostami has made more than 20 films, including fiction