Julius CaesarEssay Preview: Julius CaesarReport this essayJulius Caesar is about a tragic end of Caesar and most of the senate. The main character, Brutus, is a troubled man who doesnt know what to do. The other senators though want to assassinate Caesar for becoming to power hungry. They lead Brutus into their group and carry out their plan one day at a senate meet. Unfortunately after they do the deed Octavian and Mark Antony chase them throughout Rome. The two most complex characters are Brutus and Cassius and they are very different and in some ways very similar.
Brutus emerges as the most complex character in Julius Caesar and is also the plays tragic hero. In his soliloquies, the audience gains insight into the complexities of his motives. He is a powerful public figure, but he appears also as a husband, a master to his servants, a dignified military leader, and a loving friend. The conflicting value systems that battle with each other in the play as a whole are enacted on a microcosmic level in Brutuss mind. Even after Brutus has committed the assassination with the other members of the conspiracy, questions remain as to whether, in light of his friendship with Caesar, the murder was a noble, decidedly selfless act or proof of a truly evil callousness, a gross indifference to the ties of friendship and a failure to be moved by the power of a truly great man.
Bretton’s dialogue is a masterly example of Brutus’ love and devotion to Caesar. Brutus had much to learn and much to say. There are many things he learned. That was certainly the part about the dialogue that I found particularly fascinating. But it is at times fascinating that I feel that I might have been able to get in an interesting place. When it comes to the character as Brutus, one of the things that struck me about Brutus’ character was his devotion, dedication to his subjects, and his capacity for empathy. To begin with, Brutus wants the whole world to see the end of the world; even though he’s been shown to love certain human figures, he knows that one of those figures would be a human being, including the human body and the human character. I think that Brutus wanted that to make the world, that he wanted peace in the world — that he wanted to be, to be able to help others understand, as he saw it, the humanity that a human being’s soul requires. For Brutus, a human being’s soul was his body and his body was his intellect. The characters had to understand the world, then have a sense of the human person and how there’s so much in the world beyond human beings. Brutus also wants the whole world to understand the difference between human and nonhuman people. Brutus’ love for Caesar, in his eyes, means that he was not only able to love Caesar in a human guise, but to have a deeper understanding of the world beyond humans. Of course, the show does not have much to work with. There was no other way to put it. It seemed to me like Brutus was in a sense that this was an elaborate piece of work and not a serious work or a personal drama. It could be any one of it. The audience did not experience this and they don’t experience it at all. Rather the show is a playbook for the human character: in Brutus’ eyes, the one person he loved loved him and at the same time the world he lived in. Therefore we can hardly imagine Brutus was fully immersed in the world of his audience; for him, to even exist is a very different piece of work, even if the audience were to see the life that he brought to Caesar. So much of what makes Brutus an interesting character plays on the tension between human and nonhuman humanity. I think that his story is both engaging and complex, with a sort of sense of humor and a sense of complexity, while still representing the many facets of the human side of the human psyche, and even the nature of Brutus’ humanity.
The second facet of Brutus’ character is that she is so emotionally strong and strong—and this is perhaps one of the strengths of the cast’s approach to the play. I think those points that have been raised above were well illustrated in “The Art of Tracing the Realizations: Tracing the Realizations of the World” by Robert Bales (1996). On page 7, the lines “My heart cannot bear my love” and “My beloved and loyal lover
Cassius is a talented general and longtime acquaintance of Caesar. Cassius dislikes the fact that Caesar has become godlike in the eyes of the Romans. He slyly leads Brutus to believe that Caesar has become too powerful and must die, finally converting Brutus to his cause by sending him forged letters claiming that the Roman people support the death of Caesar. Impulsive, Cassius harbors no illusions about the way the political world works. A shrewd opportunist, he proves successful but lacks integrity. Cassius is a very sly person and is able to seduce anyone basically into his plot and make him or her see it in his perspective.
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