Act I Notes: King Lear
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Act I, scenes i-ii
Summary: Act I, scene i
Unhappy that I am, I cannot heave
My heart into my mouth.
-Cordelia speaks these words when she address her father, King Lear, who has demanded that his daughters tell him how much they love him before he divides his kingdom among them (I.i.90-92). In contrast to the empty flattery of Goneril and Regan, Cordelia offers her father a truthful evaluation of her love for him: she loves him “according to my bond”; that is, she understands and accepts without question her duty to love him as a father and king. Although Cordelia loves Lear better than her sisters do, she is unable to “heave” her heart into her mouth, as her integrity prevents her from making a false declaration in order to gain his wealth. Lears rage at what he perceives to be her lack of affection sets the tragedy in motion. Cordelias refusal to flatter Lear, then, establishes her virtue and the authenticity of her love, while bringing about Lears dreadful error of judgment.
The play begins with two noblemen, Gloucester and Kent, discussing the fact that King Lear is about to divide his kingdom. Their conversation quickly changes, however, when Kent asks Gloucester to introduce his son. Gloucester introduces Edmund, explaining that Edmund is a bastard being raised away from home, but that he nevertheless loves his son dearly.
Lear, the ruler of Britain, enters his throne room and announces his plan to divide the kingdom among his three daughters. He intends to give up the responsibilities of government and spend his old age visiting his children. He commands his daughters to say which of them loves him the most, promising to give the greatest share to that daughter.
Lears scheming older daughters, Goneril and Regan, respond to his test with flattery, telling him in wildly overblown terms that they love him more than anything else. But Cordelia, Lears youngest (and favorite) daughter, refuses to speak. When pressed, she says that she cannot “heave her heart into her mouth,” that she loves him exactly as much as a daughter should love her father, and that her sisters wouldnt have husbands if they loved their father as much as they say (I.i.90-91). In response, Lear flies into a rage, disowns Cordelia, and divides her share of the kingdom between her two sisters.
The earl of Kent, a nobleman who has served Lear faithfully for many years, is the only courtier who disagrees with the kings actions. Kent tells Lear he is insane to reward the flattery of his older daughters and disown Cordelia, who loves him more than her sisters do. Lear turns his anger on Kent, banishing him from the kingdom and telling him that he must be gone within six days.
The king of France and duke of Burgundy are at Lears court, awaiting his decision as to which of them will marry Cordelia. Lear calls them in and tells them that Cordelia no longer has any title or land. Burgundy withdraws his offer of marriage, but France is impressed by Cordelias honesty and decides to make her his queen. Lear sends her away without his blessing.
Goneril and Regan scheme together in secrecy. Although they recognize that they now have complete power over the kingdom, they agree that they must act to reduce their fathers remaining authority.
Summary: Act I, scene ii
Thou, nature, art my goddess; to thy law
My services are bound.
Now, gods, stand up for bastards!
– Edmund delivers this soliloquy just before he tricks his father, Gloucester, into believing that Gloucesters legitimate son, Edgar, is plotting against him (I.ii.1-22). “I grow; I prosper,” he says, and these words define his character throughout the play. Deprived by his bastard birth of the respect and rank that he believes to be rightfully his, Edmund sets about raising himself by his own efforts, forging personal prosperity through treachery and betrayals. The repeated use of the epithet “legitimate” in reference to Edgar reveals Edmunds obsession with his brothers enviable status as their fathers rightful heir. With its attack on the “plague of custom,” this quotation embodies Edmunds resentment of the social order of the world and his accompanying craving for respect and power. He invokes “nature” because only in the unregulated, anarchic scheme of the natural world can one of such low birth achieve his goals. He wants recognition more than anything else–perhaps, it is suggested later, because of the familial love that has been denied him–and he sets about getting that recognition by any means necessary.
Edmund enters and delivers a soliloquy expressing his dissatisfaction with societys attitude toward bastards. He bitterly resents his legitimate half-brother, Edgar, who stands to inherit their fathers estate. He resolves to do away with Edgar and seize the privileges that society has denied him.
Edmund begins his campaign to discredit Edgar by forging a letter in which Edgar appears to plot the death of their father, Gloucester. Edmund makes a show of hiding this letter from his father and so, naturally, Gloucester demands to read it. Edmund answers his father with careful lies, so that Gloucester ends up thinking that his legitimate son, Edgar, has been scheming to kill him in order to hasten his inheritance of Gloucesters wealth and lands. Later, when Edmund talks to Edgar, he tells him that Gloucester is very angry with him and that Edgar should avoid him as much as possible and carry a sword with him