The State of Our Public Education System
Essay title: The State of Our Public Education System
Who else could have written a country song about the Holocaust (“Ride Em Jewboy” about a human being kept in a cage as part of a circus [“Wild Man From Borneo”])? Outrageous and irreverent but nearly always thought-provoking, Kinky Friedman wrote and performed satirical country songs during the 1970s and has been hailed the Frank Zappa of country music. The son of a University of Texas professor who raised his children on the family ranch, Rio Duckworth, he was born Richard F. Friedman. He studied psychology in Texas and founded his first band while there. However, King Arthur & the Carrots — a group that poked fun at surf music — recorded only one single, in 1966. After graduation, Friedman served three years in the Peace Corps; he was stationed in Borneo, where he worked as an agricultural extension worker.
By 1971 he had founded his second band, Kinky Friedman & the Texas Jewboys. In keeping with the groups satirical songs, each member had a deliberately politically incorrect name: they called themselves Little Jewford, Big Nig, Panama Red, Rainbow Colors, and Snakebite Jacobs. Friedman got his break in 1973 thanks to Commander Cody, who contacted Vanguard Music on behalf of the acerbic young performer. That was the year he and his group made their debut album, Sold American, featuring John Hartford and Tompall Glaser. The title track, a bitter tale of a forgotten country singer dying an alcoholic death, barely made it onto the charts, but Friedman did attract enough attention to be invited to the Grand Ole Opry. In 1974, he recorded an eponymously titled album for ABC Records. Produced by Los Angeles pop helmsman Steve Barri, the album dissolved whatever pure country listenership Friedman might have had but delighted his growing hard core of fans with satirical pieces such as his response to anti-Semitism, “They Aint Making Jews like Jesus Anymore.” Along with the satires Friedman offered quieter sketches of American hard luck such as “Rapid City, South Dakota.” In the mid-70s, Friedman and his band began touring with Bob Dylan & the Rolling Thunder Revue. In 1976 he made his third album, Lasso From