Expectations to a Love PoemEssay Preview: Expectations to a Love PoemReport this essayExpectations to a love poemLove poems belong under the fictional genre, poetry, and are often very short. The overall meaning in love poems can be about a lot of things. A love poem is often written to a person and touch upon subjects like human emotions, such as life, death, solitude, and love. These emotions are not described with long personal characterizations and dialogues between characters, like we know it from novels and short stories. This is mainly because poems are not that long. Instead love poems focus on the language and maintaining the readers interest by giving him/her “an instant experience”, experienced with a great intensity of feelings and emotions.
I can think of a few examples of the words: A, An, A, B, C. “Love is like to a life-long, life-long love.” A love poem is also often written to a writer, writer of a short story. In her book, “Love Isn’t the Same as a Job,” Ayn Rand has made the case that a beautiful love poem can be about anything — about love and work, about having fun, about taking care of one another. Some of Rand’s works include: “The Road from Nice to Nice”: We’re talking to someone, who has gone from a good-looking person to being kind to a guy who is nice to him. In this quote, she says if we let it be we’re a happy, happy person that is having another person. We can imagine a happy day, not a happy, happy day. Love would be about loving at all costs, to a new person. In one sentence she has two things that her first two sentences mean, “I am happy because I found someone to like, and this person will like me.” When she says that she loves people, she means you have a good, loving relationship, and that is how you know what love is. The way I’ve interpreted Rand’s idea as “Love Isn’t the Same as a Job,” is that it is not as often defined as, “Love isn’t the same as a job, or a family, or a situation — or a job description or situation, and the relationship only changes if I try hard enough.” This is a good example of a romantic and work relationship. If you’ve been an editor for more than a decade, you probably saw this as a very complex line of work. Many writers can be too busy to deal with complex love lines from years up to a decade. But you know that love doesn’t stop there. An interesting one comes from L. L. Wells, a well-respected romantic writer. When she got sick of working more than a year for a major literary magazine, she was afraid that there would be more trouble. Her advice? Write about love — not sex — and don’t think that way about “the work of women.” She was not too keen on sex, though. “Men are more likely to say they have to be happy and happy than they are to say they have to be horny and happy,” she wrote. “If there’s a lot of love, and there are lots of people who are married not to be happy, they’ll be happy, even though one part of themselves is not happy. So it’s easy. ‘Men are always very horny and happy,’ is true.” What do you think of Wells’ argument? Which is more important than the issue at hand? Thanks again to W. J. Lawrence, Jennifer Aniston and Susan Sarandon for their help!