Dover Beach
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“Dover Beach” is a melancholic poem. Matthew Arnold uses the means of pathetic fallacy, when he attributes or rather projects the human feeling of sadness onto an inanimate object like the sea. At the same time he creates a feeling of pathos. The reader can feel sympathy for the suffering lyrical self, who suffers under the existing conditions.
The repetition of “is” in lines 1-4 is used to illustrate the nightly seaside scenery:
The sea is calm tonight, The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; . . . [emphasis mine]
It leads up to an eventual climax with the light/ gleams and is gone . The first two is portray what can be seen. The last is emphasises that the light is not there, that it cannot be seen any longer, but is gone and leaves nothing but darkness behind. In a metaphorical sense of the word, not only the light is gone, but also certainty. The darkness makes it hard to define both ones own and somebody elses position, and one can never be certain that the light will ever return.
A repetition of neithernor in stanza 4 underlines a series of denials: “. . . neither joy, nor love, nor light/ Nor certitude, nor peace, nor help for pain;” (l. 33-34) [emphasis mine]. All these are basic human values. If none of these do truly exist, this raises the question of what remains at all. With these lines, Arnold draws a very bleak and nihilistic view of the world he is living in.
As in “Calais