Corruption- an Incurable Disease
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An incidental comment from a minor character lays down, in the opening moments of Shakespeares Hamlet, the theme which is to pin together all its aspects. Francisco the guard says, I am sick at heart. [Act I. Sc. I, 29]. Franciscos sick melancholy is in keeping with the atmosphere of corruption and decay which permeates the play; unexplained, difficult to define, but with a clear component of dread. And, typically, his expression of misgivings is misinterpreted, perhaps even underestimated. Barnardo, seeking palpable reasons for Franciscos distraction, asks whether Francisco has had a quiet watch. Perhaps he wonders if the ghost has disturbed Francisco, but whatever is ailing Franciso remains secret, simply becoming a part of the anxious atmosphere.
We are constantly reminded of the pervading atmosphere of decay through the imagery used in the play. It is a significant point that the ghost, the only character that could arguably be termed an outside observer, and who is certainly qualified to make some form of prophetic judgement, should be one of the prime sources of imagery of decay, poison and rotting.
Upon my secure hour thy uncle stole
With juice of cursed hebona in a vial,
And in the porches of my ears did pour
The leperous distilment . . .
. . . doth posset
And curd, like eager droppings into milk,
the thin and wholesome blood. So did it mine.
And a most instant tetter barked about,
Most lazar-like, with vile and loathsome crust
All my smooth body [Act I, Sc. v, 66 – 78]
A graphic description, especially since only moments before the ghost had instructed Hamlet not to pity it!
Throughout the play we can trace a progression of corruption, that leads to death, through disease in the characters of Polonius, Claudius and Hamlet.
Polonius is perhaps the most obviously corrupt character in Hamlet. His corruption has occurred long before the play begins; the progression is in the extent to which it is revealed to us. From this courteous, almost comically long-winded member of the court, emerges a personality that is first dominating (as he instructs Laertes: These few precepts in thy memory/ Look thou character. [Act I, Sc. iii, 63]), clearly abusive towards Ophelia:
Affection? Pooh!
You speak like a green girl,
Unsifted in such perilous circumstance,
Do you believe his tenders, as you call them?
. . .
I would not, in plain terms, from this time forth,
have you so slander and moment leisure
As to give works or talk with the Lord Hamlet.
Look tot, I charge you. Come your ways. [Act I, Sc. iii 106 – 140]
then meddling and subversive, as he sets spies on his own son, and finally irredeemably and ultimately fatally corrupt and subversive, as he schemes and plots around Hamlet. His death – physical corruption – is a precursor, signifying to the audience the ultimate fate of all those characters exhibiting signs of corruption.
Polonius may be the most obviously corrupt character, but the centre of evil of the plays plot and of the kingdom is Claudius. When Marcellus states, Something is rotten in the state