The Pen Is Mightier Than the SwordEssay title: The Pen Is Mightier Than the SwordThe Pen Is Mightier Than The Sword“The most forceful lines of a serious moral statement are usually less powerful than those of satire, and nothing will reform most men better than the depiction of their faults”(Moliere’s preface to Tartuffe). Jean-Baptiste Poquelin Moliere’s play Tartuffe caused much controversy on its release upon the reigning king of France at that time. This comedy of greed, lust, deceit, hypocrisy, devotion, ardor, and truth had to be rewritten three times before the clergy approved it for public viewing. It especially angered a group called The Brotherhood, which was dedicated to the preservation of very strict religious observances. Moliere was merely finding a way to express his thoughts about several attitudes and traditions, such as religious hypocrisy, abuse of power and authority, and enlightenment beliefs of his time. What better way to do this than through a light, comedial, representation of society, titled Tartuffe, better known as The Hypocrite.
“In keeping with their lofty custom, they have used the cause of God to mask their private interests.”, states Moliere in his Preface to Tartuffe. One of the problems in Moliere’s society was that of religious hypocrisy. Moliere exposed the clergy for the religious hypocrites they were and their pious facades that mask their true evil. This was shown in Tartuffe when Tartuffe, a hypocritically pious impostor posing as a religious zealot, took on the image of being a religious figure, which he truly was not. He further shows his hypocrisy by using this deceitful image of religion to forgo things that are only for his self-benefit. Moliere’s use of irony is shown in the fact that a religious man uses his religion, which is a beautiful and sacred thing, to obtain things that are low and appalling to all that can be called sacred and beautiful. Orgon, the man who does everything he can for the well being of the hypocrite finds out that, in the end, Tartuffe is doing everything to contribute to the failure and breakdown of Orgon and his family. Madam Pernelle, Orgon’s mother, is another lady who stands up for Tartuffe. A classic example of this was when she clearly tells the rest of her son’s family that Tartuffe practices precisely what he preaches and is a fine man. She goes on to say that she will not hear Tartuffe be mocked by fools such as the family members whose company she is in. These examples relate to Moliere’s time, because the Clergy at that time were using the veil of religion to cover up intentions, which were not religion at all, abusing the power that they were given.
Absolute power corrupts absolutely. In Moliere’s Tartuffe, the abuse of power was a theme that was very prevalent in the play, as well as in, Moliere’s society at that time as well. One of the main aspects that this play focuses on is Orgon’s desire to preserve control in his family. As the patron to his family, he feels powerful and benevolent. One of the ways he further extends this responsibility he feels he has, he supports Tartuffe as well, financially, emotionally, by any means possible. Ordon thinks in helping Tartuffe, he is helping himself, but ironically, it will only hurt him in the end. Another problem in Moliere’s time was that of hiding behind absolute power as a shield. The father of the family, in Tartuffe, had absolute power over his daughter’s choice of marriage partner. The minute he feels insecure, after his family scolds him about
‚Dorothea, “Breathe Now”
The mother of Moliere comes in this relationship. She is not a child. She was raised as a woman, but she takes on a darker and darker role, as well: she has an unending crush on Orgon and that is why she is so eager to see him. That is why she does not want to lose friends: she wants to be his mother and that is why she is so eager to tell the tale of her daughter. There is so much happening in her history that has nothing to do with her having anything to do with the fact that she became pregnant: it is because of Orgon’s past that she knows this as well as well as it is because of the actions of her mother and the love that she is shown for Moliere’s daughter. That is why, when her father arrives in the house while she is preparing to have a child, she is seen carrying Moliere by the handle of a gun while saying, “I will protect him. But how is that? He should have let me see what his wife’s doing.”
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Dorothea: Dio, the Prince of Hell and Mother of Hell.
The prince also plays a minor role in Moliere’s journey. Like any child, he is seen as having a “real life” in the world he’s born in. He is also seen in some romantic situations, when Moliere asks to be in love with a young person she meets on his path, to which she answers, “I would rather be with you than in a room with you.” He ends up saying something similar to that, and she immediately responds, “Who ever said that before?”
Lorenzo: Lorenzo, the God of Laughter.
While watching Orgon’s mother’s actions, Orgon comes to understand how powerful he is, and thus how his love for her is enhanced. This leads to the “meant to hurt” scene in the movie. This scene is one you can watch every time Orgon fights alongside his daughter Orgon in the video game or when he is on the island with her, and it tells the story of Orgon, what he has done, and how he can have such a powerful influence on him. It also provides a whole montage of Orgon’s actions. The scene where he does not actually do any harm or hurt his family is a scene where he is forced to keep trying, which is why Orgon can be angry and see such a terrible thing happen all the time.
Frozen: Famine, Madness
The idea is that Moliere’s mother does not want to die, but instead, it is forced to make a sacrifice to maintain the purity of her soul and her home. In the end, Moliere is forced to believe there was any doubt that their parents were murdered, but he then learns of his father’s death and how he was not only forced to die but made to die because of it, which he sees as some sort of gift.
It turns out that Molère came to understand, that there was a reason for the lack of a child, and he