Competing Pedagogies
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Growing up and going to school, we learned, or didnât learn, how to write. Our teachers most likely taught us to write the way they learned how to write, which means the teacher whoâd been teaching for forty years taught it one way, the way since, according to her, cavemen had been her students. The teacher whoâd been teaching for thirty years taught it the way he learned it while marching in protests against Vietnam and nukes. The teacher whoâd been teaching for twenty years taught it with an eye to corporate America and a return to basics. The teacher whoâd taught for ten years taught it the way she learned in the ever-consuming world of AP. And the new teacher? The new teacher just wants to make it to December and prays that her kids at least pass the state exams. What the new teacher has, though, is a world of choices, pedagogy philosophy on top of pedagogy philosophy. Which to follow and teach is the question that must be answered.
For this new teacher and the one who has been teaching for forty years and all of the ones in between, Amy Lee makes a strong case for what pedagogy actually is and which to follow. In creating a working definition, she says that â[t]raditionally, pedagogy is understood as theories and practicesâ (8). Following this tradition, she argues that âhow and why we teach . . . is as important as what we teachâ (3). This concept, the focus on âthe how and why we teach,â has lead to â[h]egemonyâ because â[o]nce we teach or understand our teaching in certain ways, or once we consciously adopt and enact a specific pedagogy, it becomes difficult to critique our assumptions and practicesâ (9). Lee makes it quite clear that we cannot create a theory and then just go and practice it, whether or not the theory works (11). She also cautions teachers against stating and believing one type of theory but practicing quite another (8). To guard against these situations, she believes that âpedagogy is also constituted by reflection and actionâ (9). It is an idea that âFreire refers to as âpraxisââ (George 94), and one that Lee reiterates several times because it does carry much truth. No matter what pedagogy a teacher decides to follow and study, Lee believes that the teacher must continually critique her work, âboth in and outside the classroomâ (12). With praxis as her foundation, she asserts that teachers donât have to be âoppositionalâ but that âa range of choices exists,â and even if some of the âchoices might appear mutually exclusive in theory, as practice they serve the context of a classâ (192). Now, this argument centered on how the critical classroom should be run (whether or not to be âânurturingââ), but it easily transcends this argument to the one that surrounds which pedagogy is the âcorrectâ one to use in the classroom.
Now that the new teacher realizes what pedagogy is and that she must continually be aware of what sheâs doing, she must be conscious of what pedagogies are out there for her to bring into the classroom, understanding that it is not a one-stop world, but a one full of possibilities and combinations. These choices include process, expressive, collaborative, and critical, all of which have positive and negative attributes to their practice in the classroom.
The first, and probably most prevalent, pedagogy used in the contemporary English classroom is the process pedagogy. Lad Tobin paints a clear picture of his writing days in school, a painting to which so many of us can relate. He creates a list of things he never did in his class, all of which seem so foreign to us today:
We never wrote during class; never read our own essays aloud; never peer reviewed, workshopped, or even read each otherâs essays; never were asked to write before we outlined; and never talked about how writers found their ideas, got unstuck when they were blocked, or used revision to discover new meaning, focus, or form. (1)
What is amazing is that after writing like this, so many still decided to continue to study this field and write. If the new teacher walks