Ozymandias
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Ozymandias (oz-ee-MAN-dyus) is a famous sonnet by Percy Bysshe Shelley, published in 1818. It is frequently anthologised and is probably Shelleys most famous short poem.
It deals with a number of great themes, such as the arrogance and transience of power, the permanence of real art and emotional truth, and the relationship between artist and subject. It explores these themes with some striking imagery, amplified by a setting – Egypt and the Sahara desert – that was topical and exotic for European audiences in the early 19th century. The poems sense of distance is further enhanced by its second-hand narration; the commentator is relating to us the words of an unnamed “traveller from an antique land”.
Imagine this scenario: three English men sitting around a table at a drunken party. The men bet each other that each of them could come up with the best poem in the allotted
time of fifteen minutes. The poems topic was Egypt. The poem Ozymandias was the response of Percy Bysshe Shelley to the bet.
The first vital point to note is that the poem is an Italian sonnet in a traditional 14 line, 8-6, set-up with iambic pentameter. It encapsulates a great story about Ramses, the past king of Egypt.
The poem was written around 1800 and the fact that it was written in an “antique land” (1) illustrates that the author was attempting to distance himself from Ramses, indicating the faded view of the past king Ozymandias.
Great opposition, irony and sarcasm appears when it is said, “My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!” Nothing beside remains.” This negative connotation shows that there once was a vast kingdom, but now that kingdom has disappeared. Neither property nor the king himself is immortal, the sonnet indicates.
When it is said that the “lone