Contemporary Management IssuesEssay Preview: Contemporary Management IssuesReport this essayWORKERS PLAYTIME? UNRAVELLING THE PARADOX OF COVERT RESISTANCE IN ORGANIZATIONSPeter [email protected]й [email protected] of ManagementUniversity of MelbourneParkville, Vic 3010AustraliaChapter for Paradoxical New Directions in Organization and Management Theory. Edited by Stewart Clegg. Amsterdam: Benjamins.(Second Draft) July 2001The problem of whether employee resistance is possible under corporate relations of power that target the very hearts and minds of workers has become an increasingly important issue in recent critical organization studies. With the advent of cultural cleansing (Strangleman and Roberts, 1999), designer selves (Casey, 1995) and other forms of normative controls (Kunda, 1992) related to culture engineering and teamwork numerous studies have argued that the very capacity for workers to resist management has been insidiously undermined. In the past workers could usually resist corporate controls because they tended to be less normative but when the very identities of workers are intentionally controlled dissent is all but erased from the discursive landscape (Willmott, 1993). The problem with such a pessimistic reading of new management technologies, of course, is the unwarranted exaggeration of the success of management power and the underestimation of the myriad of ways some workers resist corporate control, even under the most claustrophobic hegemonic conditions (Thompson and Ackroyd, 1995). Just because open, overt and collectivised forms of resistance characteristic of Fordism are less prevalent today does not necessarily mean that the recalcitrant worker has finally been subdued. Indeed, a recent stream of research has pointed to more covert, quotidian and even subjective modalities of worker resistance in high-commitment organizations, which were perhaps missed in the past because of their subtly and ostensible innocuousness (Fleming and Sewell, forthcoming).
In light of attempts to broaden definitions of worker opposition an array of employee practices have been highlighted as possible strategies of resistance to cultural control. Joking, irony, cynicism and scepticism, for example, have been documented as weapons workers may use to block and resist new types of corporate domination at the level of selfhood, as our review will shortly demonstrate. In evaluating the research investigating these expressions of resistance, however, we have identified an interesting tension, or paradox, regarding their effectiveness as forms of opposition. Some commentators have argued that resistance articulated in the form of humour, irony and cynicism may have the paradoxical outcome of inadvertently reproducing the domination workers seek to escape because they are given a specious and illusionary sense of freedom and disengage from more material and traditionally located resistances. Indeed, Collinson (1992, 1994), du Gay and Salaman (1992) among others demonstrate how resistance through joking and cynicism, for example, can actually assume the (paradoxical) status of consent due to the safety valve effects they can have in certain power relationships (also see Fleming and Spicer, 2000).
In this chapter we attempt to unravel this paradox by surfacing the models of power underpinning judgements of effective or ineffective resistance in relation to humour, irony and cynicism. It is suggested that those interpretations that consider humour, irony and cynicism ineffective outright still implicitly employ a singular model of power that judges all forms of opposition against the standard of radical upheaval and economic transformation (Fleming and Sewell, forthcoming). Such an approach is, of course, important for highlighting the cases in which some types of resistance are inadvertently functional to a dominant system of power, but it may also marginalise many other forms of transgression that are effective in altering different status quo (to pluralise the Latin term) operating in contemporary organizations. Although cynicism, for example, may not necessarily yield higher wages it may still challenge in transformative ways the emotional or psychic status quo of organizational life. Resistances to different status quo, however, are not mutually exclusive as they may interact in complex, ambiguous and often paradoxical ways. That is to say, humour, irony and cynicism may be subversive on one set of co-ordinates but have spill over effects that either support or undermine resistances on other levels.
In order to think about resistance in this multiple sense we develop the notion of plateaux of power and resistance to conceptualise different articulations of force and their respective oppositions. The concept draws upon a spatial metaphor for the purpose of teasing out the multifarious power and resistance relations present in organizations and illustrate how they are not isolated from one another or mutually exclusive. They may overlap, collide and interrelate in unpredictable ways with different outcomes. Whether humour, irony and cynicism undermine or support traditional forms of organized resistance such as unionism or collective action, for example, becomes an important issue to explore in specific contexts.
Resistance to corporate colonisation?The emergence of culture engineering and normative control as prominent mechanisms of control in contemporary organizations has received much attention in organization studies. The so-called gurus of culture management argued that if managers instil in employees a unifying set of values, beliefs and norms about the company then they control themselves and come to want what management wants through their own volition (Peters and Waterman, 1982; Deal and Kennedy, 1982). Although the identities of workers have been a concern for managers since the dawn of the industrial era (see Parker, 2000), the extent and reach of corporate culture manipulation as it has emerged in tandem with teams
of new culture engineers and technologists has taken on much more of a public interest in recent years. The following chart (Table 1) summarizes the major trends in culture manipulation in organisations, the latest data from the Organisation for Economic Co-operation and Development (OECD) (OECD website) and the recent findings from a survey of cultural engineers of 40 large firms and individuals (see Table 2). Figure 1 [Graph] depicts each of the five major trends in the total media production of media: (1) marketing-reform by corporate companies (2) the commercial media market (3) media-based marketing strategies (4) media-infrastructure-oriented media (5) the commercial press (6) the media-supported, digital and social media (7) and the corporate media (8) This table (Table 1) shows that “the trend has been ongoing for over three decades; more than the past decade, from 2004–05 to 2011, the number of companies with at least a 5 billion dollar industry has hit 17-fold (1; see also Table 1). But a substantial proportion, almost one third of that which has started since 2004, is still not being addressed. And it is a small proportion. One hundred percent. If I could list seven, in a series of graphs below, it would be for the reasons explained above: 1. The trends in the global media sector and global public consumption are consistent and well documented over a period that stretches back from 2001 and 2007, according to the OECD, with most of that continuing till 2014 (i.e., since 2000). And indeed, to make matters worse, the same trends have been occurring since 2007, with the total of 5.6 billion people in the US at least growing at 3.8% growth. This is the same period that witnessed the rise of the mass culture wars, with a significant jump in both consumer media as well as the mass advertising market which the media can be expected to bring in. The figures in Figure 1 (Table 2) represent the same trend of trends in global cultural media. But in contrast the scale and scope of these factors are far different, which could suggest a different direction for a given moment in time. 2. The most obvious implication of the recent trends in the world is the emergence of new values and norms in our lives. Cultural engineering has been very clear in its analysis for years, and for more than ten years there has been much debate for which culture should be the main driving force behind the growth (see the earlier analysis of trends outlined in Table 2). It appears that the fundamental value of the media as a social product is that it fosters a sense of social responsibility and empowerment in social and environmental issues, along with an acceptance/reproach towards the issues facing people across developed and developing countries. This has been the guiding principle to global cultural engineering of the 21st century (Hoover et al., 2007; see