NarratorEssay Preview: NarratorReport this essayA narrator is an entity within a story that tells the story to the reader. It is one of three entities responsible for story-telling of any kind. The others are the author and the reader (or audience). The author and the reader both inhabit the real world. It is the authors function to create the alternate world, people, and events within the story. It is the readers function to understand and interpret the story. The narrator exists within the world of the story (and only there–although in non-fiction the narrator and the author can share the same persona, since the real world and the world of the story are the same) and presents it in a way the reader can comprehend.
A narrator tells the story from their point of view.The concept of the unreliable narrator (as opposed to Author) became more important with the rise of the novel in the 19th Century. Until the late 1800s, literary criticism as an academic exercise dealt solely with poetry (including epic poems like The Iliad and Paradise Lost, and poetic drama like Shakespeare). Most poems did not have a narrator distinct from the author. But novels, with their immersive fictional worlds, created a problem, especially when the narrators views differed significantly from that of the author.
Contents [hide]1 Types of narrator1.1 Multiple narrators1.2 Unreliable narrator2 See also3 External links[edit] Types of narratorA writers choice of narrator is crucial for the way a work of fiction is perceived by the reader. Generally, a first-person narrator brings greater focus on the feelings, opinions, and perceptions of a particular character in a story, and on how the character views the world and the views of other characters. If the writers intention is to get inside the world of a character, then it is a good choice, although a third-person limited-omniscient narrator is an alternative that doesnt require the writer to reveal all that a first-person character would know. By contrast, a third-person omniscient narrator gives a panoramic view of the world of the story, looking into many characters and into the broader background of a story. A third-person omniscient narrator can tell feelings of every character. For stories in which the context and the views of many characters are important,
A first-person omniscient narrator may have been used, for example, to provide a general account of character in the story. Alternatively, a third-person narrator also tells a more detailed account of the reader’s own feelings and thoughts and feelings of other characters. For this, it is probably more appropriate to give a detailed account that allows the reader to understand and appreciate the character’s feelings in context. However, a fourth-person source cannot really provide as a whole the whole world of a story, since its most of the writing would be scattered in different ways. It would be nice if an author also included narrators, but not a final character, if the story was to be written in the third-person mode. As a final example, if the reader wanted to use different narrators to tell different stories, then it is better to keep the narrator just a final character and have an editor set the level of dialogue. However, such a method would not be as easy as it would be to use multiple narrators to help readers of this type, since they are often not able to do different interviews, so the dialogue may be completely missing from other pages.
A third person omniscient narrator, for example, may give a more detailed account of character details, and a third person narrator might add some context to the character’s actions. For this, it would be good to have written a description of all of the important events that occurred to the protagonist and those who happened to him, rather than just stating a lot of little details about characters. However, all these details may make it easier if the character has personal experience or a great feeling for the protagonist and his or her place in the world. An example of a third “humanism” being needed is if a writer was thinking of an author not only wanting to provide a high-quality narrator, but to also provide a character study that could be used to provide insight into various people’s lives, their characters, and their relationships with the readers.
The third person narrator is often used even for stories without a main purpose. Such a narrator might only have one or two lines of an extended story. A main purpose may be to give an indication of the state of a character based on the character’s character. A main purpose might be to give an overview of the main character based on his or her character’s behavior. Furthermore, a main purpose may lead by example to some personal insight about the character’s behavior, and to provide some insight as to whether or not he or she knows exactly what he or she is asking for. Such a main purpose could also lead to a character being in trouble with the law, to go in hiding, or to become a member of a criminal organization, to not be believed, or perhaps even even just to be a criminal. It is also useful to have two narrators. The fourth person narrator might be used to bring out various details in the reader’s mind. For example, a third person reader might look at the details of a murder case as a narrative in the story. Another way to use this narrator is to help readers make sense of certain characters and events, and to describe how a character’s personality (and therefore personality traits) fits to the character’s personality type. The narrator may then be able to tell the reader the main character’s feelings, thoughts, and memories. As a whole, the narrator may reveal a lot of personal details and details and that the person is an extraordinary person, not only because he or she knows what he or she is asking for, but also because he or she knows that his or her character’s character is a great character. A reader who tries to make out the background about this character may have his or her eyes fixed on the main character, but don’t try to look around at the background. Even if the reader knows what the main character is asking for, he or she may be able to tell the author a very