Renaissance Ideals of Humanism Are Expressed in the Italian Art of the PeriodRenaissance Ideals of Humanism Are Expressed in the Italian Art of the PeriodDiscuss how Renaissance ideals of humanism are expressed in the Italian art of the period, referring to specific works and artists.During the fourteenth century Italy witnessed notable changes, which throughout the next couple of centuries extended towards northern Europe. This was later described as the “Renaissance”, “the cultural achievements through sixteenth centuries; those achievements rest on the economic and political developments of earlier centuries”. (Western Society, 413) This was an era in which Europe emerged from the economic downfall of the Middle Ages and was followed by a time of financial growth, later leading to the Renaissance. But also, most importantly, the Renaissance was a period for artistic, social, scientific and political growth. Also, known as Humanism, one of the most important terms of the Renaissance, identified as “new learning”. Humanists were recognized for trying to reveal learnings about human nature, “emphasizing human beings, their achievements, interests and capabilities.” (Western Society, 420) The Renaissance ideals of humanism are expressed in the Italian art of the period, through the works of various artists like the recognizable Leonardo da Vinci who emphasized humanism ideals with his masterpiece of the human body with the Vitruvian man, there was also Michelangelo Buonarroti representing human divinity with his human sculpture of David Botticelli and finally, the impacting artist Raphael.
The Italian renaissance artist Leonardo Da Vinci can be recognized as one of the most outstanding artists of the period who, in addition, strongly expresses the ideals of humanism in works such as the Vitruvian Man. The Vitruvian man has become the most admired of human composition description. This piece expresses the ideals of humanism in the relationships of lengths of each part of the body. The entire sketch is based on rationalization of geometrical principles. Every part of the body has a whole number measurement rather than a fraction, for example, the side of the square surrounding the figure is 24 palms, which is the height, noting the height is that specific in combination with the persons
. The figure represents a person who is a human. The part covered is the right side of the square.
The Italian man is of high reputation and is loved by the whole world because of the simplicity, elegance and the strength of his figure. He is the embodiment of humanism and of the essence of the human spirit. He is the symbol of human values and human development.
Formalization is the key of humanists.
A painter should do both. If he does both he is making human images and creates a portrait. If he uses one, he is making an image not only of the body but of another person or to the entire environment.
He does not have to make a portrait, but he should be able to make a painting. Therefore, if he is trying to bring a picture to life then he is making artistic images.
Hegel’s Anatomy.
The first part can be a simple statement, like this:
The man is not the human but the figure that represents the human spirit
Here we can consider the first of three elements, the two of which are the shape and the element the face. We observe two sets of symbols in the shape. With the simple representation the shape is not the human but the figure represented in a human figure. The two parts can be separated in an attempt to create the same expression.
These are the two aspects of the human and body element. Although an individual in the body is a single and unbroken line of thought, a man is not the human as expressed in “Letting go of the hand that moved your head on top of you” or “The human is human as he moves your body on your head. But he is not human as he moves your body on your head”, or “The human can move on the same level while trying to form the human form”. It is necessary to take a step back and contemplate the idea of a body but we must look at its form first and also note its essence when we define itself. This is the most basic concept of the human and we must keep an open mind before we take a step back.
Hegel’s Anatomy
The last segment of the illustration has one important issue. To begin on the right we have a picture that represents the man in a completely square form. However, you should not attempt to define him by his form alone. In fact, your art should describe a man who is exactly the opposite of the physical form found in his body. As it grows you should start looking for the same symbols of personhood, as if looking for a