Revenge Themes In Hamlet
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In the play ÐHamlet written by William Shakespeare in Elizabethan times, the theme of revenge is a constant throughout the plot. Not only does it underlie almost every scene, but it also has a major effect on the story as a whole. Two of the main revenge plots within the play are Hamlets aim to avenge his father by killing his uncle, the king Claudius, and Laertes aim to avenge the murder of his father by killing Hamlet. These two revenge plots play a major role in presenting to the audience the theme of revenge.
There are many reasons why Hamlets revenge plot is important to the development of the play; most are specific to the story-line. Hamlet is set upon revenge because of instructions from a ghost, which has taken his fathers form. This ghost tells Hamlet, “Revenge his foul and most unnatural murder”, asking him to make up for the murder of King Hamlet by killing the current king and King Hamlets murderer, Claudius. Several developments occur after this instruction. Firstly, there is the considerable development of Hamlet feigning madness because he believes it is necessary to do so in order to gain revenge. Because of this, the plot changes to head in a totally different direction. As a direct consequence, Ophelia, or more accurately Hamlets love for Ophelia, is sacrificed as Hamlet believes that it is more important to avenge his fathers honour than it is to continue romantic liaisons with her. As a spin-off of this effect, Ophelia herself goes mad and in the end kills herself.
As Hamlet is desperate for revenge, he tells the audience of his plans in his soliloquies to them. This is most clearly illustrated in Hamlets soliloquy in Act Two, Scene Two, in which he describes how he is going to observe his uncle throughout a play which is focused on a murder of the same design as that of his father. The quote, “For if the King like not the comedy, why, then, belike he likes it not, perdy” shows Hamlets intention to discover the kings secrets.
What also becomes obvious, due to the theme of revenge, is Hamlets inability to decide what to do, whether or not to revenge his fathers murder. The most famous quote of this play, “To be or not to be, that is the question” is centred on this quandary. Hamlet, as he believes, has two choices to decide between. One is to kill his uncle and release his father from purgatory, where he is languishing presently, “Doomd for a certain term to walk the night, and for the day confind to fast in fires”. By doing this, Hamlet himself will almost certainly die in his efforts and go to hell as a murderer. The other choice he has is to not kill Claudius, which means that he will leave his father in Purgatory, but he himself will not die and go to hell. We get an idea of this terrible Ðcatch twenty-two, so to speak, in many of Hamlets early soliloquies.
Ultimately, possibly the main effect of the revenge theme is that nearly every main character in the plot has died by the end of the play. While this is in many cases not perhaps a direct consequence of revenge, the deaths do still occur in a non-direct way because of the ideas of Hamlets revenge. For example, the death of Polonius is not because Hamlet wishes to kill him to get revenge, but it is because Hamlet thinks Polonius is Claudius, the one he actually wishes to kill. His confusion is shown by the quote, “Nay, I know not: is it the King?” This is much the same for the death of Ophelia. Hamlet does not kill Ophelia outright, but it is most likely because