Sandler’s Mr. Deeds: Mis-Deeds
Sandler’s Mr. Deeds: Mis-Deeds
“Sandler’s Mr. Deeds: Mis-Deeds”
With a prestigious resume’ of successful blockbuster comedies, Adam Sandler certainly fails with Mr. Deeds, his most recent attempt to duplicate his past successes. The quick-wit, unexpected, laugh-out-loud jokes are a forte’ of Sandler’s which go back to his days of being a young comedian on NBC’s Saturday Night Live. Sandler’s comedy is the only thing that will keep you in your seat for an hour and a half. Fortunately for this movie, Sandlers large adolescent audience awaited the premier on June 28th. It’s hard to find the direction of this film. However, it does include criteria consisting of, or the lack-there-of, an unoriginal theme for Sandler, an unforeseen love between characters, an unrealistic storyline, the minuscule co-star involvement, and flat lackadaisical humor, is the proof behind this movie’s pudding; it defines the word lousy. However, Sandler’s newest flick will most likely enjoy box-office success from the strong fan base that follow every movie he makes.
The screenwriter Tim Herlihy and the director Steven Brill appear to use the same old, similar storyline from past Sandler films: Billy Madison (1995), Happy Gilmore (1996), The Wedding Singer (1998), The Waterboy (1998), and Big Daddy (1999). Sandler plays a similar role of a guy that has a big heart with good intentions but is sometimes misunderstood until the “true person” comes out for the doubters to see. A key thing to remember here is that all of the previously mentioned films were successful and in their own way, very original. Mr. Deeds fails to be included on this list.
Sandler plays the role of Longfellow Deeds, a small-town native of Mandrake Falls, New Hampshire. He is a pizza delivery boy/greeting card writer that inherits $40 billion dollars from an uncle he never knew. Deeds is a character that exemplifies a so-called “regular” American. He loves his friends; he loves to make others laugh and enjoys life in general. When his uncle suddenly dies, without a will, Deeds is overwhelmed by conniving executives Chuck Cedar (Peter Gallagher) and his tobacco-smoking partner Cecil (Erick Avari). The New York City high rollers arrive in Mandrake Falls to inform Deeds of his new income and then take him down to N.Y.C. via private helicopter, to sign over his shares to his dead uncles vast corporation. Cedar eagerly wishes to take over the corporation and sell all of its shares for an enormous amount of money. However, before the corporation can be entirely sold off, Deeds must be taken out of the equation. The tabloids salivate over who the “new billionaire of New York” is and in particular, one tabloid makes it their agenda to get the “dirt” on Deeds.
Winona Ryder plays the role of Babe Bennett, a tabloid TV reporter ordered to expose Deeds as a klutz. She attains information from him emotionally by secretly filming him at his worst and later uses against him, to expose his “flaws.” To get the dirt on Deeds, Babe seduces him while pretending to be school nurse “Pam Dawson.” He falls for her; romancing her on a series of “dates.” For one of their dates they visit a downtown New York City fountain, where they chat about their pasts (hers being false), and when a fire truck drives by with sirens blaring, Deeds, a volunteer fireman back in New Hampshire, goes to the apartment. As Pam looks on adoringly, he saves a woman and her seven cats from her burning apartment. Incidents like this demonstrate Deeds “do-gooder” lifestyle that he lives. The dates between Deeds and Bennett are boring and unrealistic, wandering from topic to topic, without any sort of comedic punch lines. Occasional stupid slapstick does not help, though its apparent that someone on the set thought that Deeds