Essay About Second Section And First Section

Movement Therapy
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This study articulates a rationale for a cosmologically
oriented, movement-based expressive arts educational and therapeutic
model. It is inspired by the investigation of a primal symbol, the
vortex, and of movements which incarnate its axially aligned, spiraling
rotational form, with a special focus on circle dancing and spinning.
The first section examines theoretical issues. I establish the
ontological framework for my exploration, clarifying that my worldview
is founded on a “contemporary Tantrism” in which life is seen as
inherently creative. An approach to epistemology grounded in imaginal
and kinesthetic experience is proposed. The history of such an imaginal
epistemology is summarised, followed by a discussion of significant
ideas on the nature and function of symbols. Two approaches to
psychophysical transformation which form the foundation for my work are
described: the tradition of harmonisation with the cosmos, and its
expression in cosmic dance; and the principles and practices of embodied
spiritual disciplines that aim at identification with a numinous image.
The second section is an integrative symbol study of the vortex as a
symbol of generativity. It is framed by a developmental as well as a
cosmological model, and features a chronologically organized
crossdisciplinary review on the topic, with sources ranging from art
history, anthropology, mythology, symbol studies, and spiritual
philosophy to contemporary science. The third section explains how these
ideas can be applied to emotional healing, personal growth, and artistic
development. I introduce relevant concepts,