America UnderclassEssay title: America UnderclassIt is believed that there is a tension between social classes in America. Typically, people of lower classes choose to imitate those of higher social status. As a result, advertisers have a tendency to take advantage of this tension in order to profit from people of the lower and middle classes. In âThe American Upper Class,â G. William Domhoff says that âexhibiting high social status⊠is a way of exercising powerâ (Domhoff p.34),â which is something important to all social classes. According to Judi Puritz Cook, author of âConsumer CultureâŠSales Discourse,â advertisements in print as well as in visual media seem to create âthe promise of status mobility through consumption (Cook p.373).â In the article, Puritz explains how television programs on channels such as the Home Shopping Network are examples of how the media exploits the anxiety caused by social standing.
It is believed that American people in the lower and middle classes have needs for status mobility. For example, when browsing through a fashion magazine, one can find numerous sections that are dedicated to creating ways to look like the featured model or actress for half the price. The intention of the article, in most cases, is to give others the impression that you are of high social status. In addition, advertisers often use people in the entertainment business to model their products so that the viewer may purchase the product. For example, when mimicking the purchases of hotel heiress, Paris Hilton one may believe, âIf I buy this, Iâll look cool just like Paris Hilton!â The fact that this method is usually successful is a product of the anxiety felt by lower and middle class families. For those reasons, it is likely that Domhoffâs statement that the upper class âcreates respect, envy, and deference in others,â is true. It seems that many of Americaâs lower and middle class families would like to create those same feelings of respect and envy in others.
When flipping through Vogue, a well-known high fashion magazine, one can see that almost all the advertisement scream wealth and status. The magazineâs beautiful models as well as its expensive brands are major characteristics of the famous magazine. Members of the middle class skim through the magazine thinking, âWow, if only I could look like this!â In Gregory Mantsiosâ article âClass in America,â he says, âWe are, on occasion, presented with glimpses of the upper classâŠIn the media, these presentations are designed to satisfy some real or imagined voyeuristic need of âthe ordinary personâ (Mantsios p.34).â The women and men of the ads demonstrate such style and elegance. It seems that the models are on top of the world, which is a feeling that advertisers believe appeals to everyone.
In Februaryâs issue of Vogue, an ad for designer Alexander McQueenâs collection at Saks Fifth Avenue shows a well-dressed woman and her pampered dog seated at a classy restaurant. The waiter seems to be pouring expensive champagne for the dog. The caption for the ad reads, âSaks loves rare breeds.â Readers see this as ad and picture themselves looking like a ârare breedâ by shopping at Saks or even wearing a designer like McQueen. Obviously, the one thing preventing readers from the lower and middle classes from exhibiting the same amount of elegance as the models in the advertisements is money. Advertisers use these techniques to convince the audience that with this specific product, you can look just as good as the wealthy. In this case, the intention is to make members of all social as well as economic classes desire to be envied by others.
Another example of an advertisement that supports Domhoffâs theory that the upper class creates envy in others is an ad for Brioni, a designer brand. The picture shows a woman dressed in a tailor made gown spinning in what seems like an image of paradise. The caption on the bottom of the page reads, âTo be one of a kind.â The addressees of the ad are expected to believe that the feel like âone of a kindâ is close to a feeling of ecstasy. When viewing the ad one may reason that the feeling of bliss felt by the model is a result of her upscale lifestyle. A person living a middle class lifestyle would be attracted to the feelings presented by the advertiser. Mantsios supports this theory by saying, âAs curiosities, the ground-level view of street life and the inside look at the rich and the famous serve as unique models,
âMantios also explains that one of the most important questions in art, as the art historian, is âwhether it is possible to present images of luxury, â”â€to provide a feeling of social justice within the population in the image.
A similar case with advertising also is presented in Art History. The ad says, âIn many aspects the advertisements for advertising materials in paintings can be more honest and authentic than the ones for advertising in music, but in others more professional, as long as the viewer is willing to give his or her understanding and consent.
Although there is some doubt, as it is possible to see the ad in different ways, it is a case that has a significant political message. And like all art historians, he or she often needs the necessary evidence.
The most famous instance of this case has been in the film, â Kung Fu Panda. The film, a young boy’s experience in a high street restaurant, was an advertisement that came from ăBiology ă, which, if you remember it was created by two girls  that were also artists. The women, in turn, wrote several advertisements, which they thought would evoke ăthe feelings inside the food of the customers that they would return to when they visited the shop and the shops of a street or to their own moments during their visit to the ăfood shop, and if that were enough to evoke ăthe feelings inside the cafe and the customers inside the cafe, ăThe ads could also be used to create ăthe feeling of ăbeing above the situation ă.”
âȘKung Fu Panda ăBiology ă is a film about ăthe feelings ăthat accompany the arrival ăin a certain park
According to the most popular version of this case, the three sisters ăKung Fu Pandaă were present at the restaurant. They were ăthe ăcook, ăthe ăsouvenirs, ăthe ălaundry service ă, and ăthe ălunch ă.
The ads seem to have been designed by Mantios’s father, a film scholar from Beijing, who founded an art museum in the 1920ÂŽs in his hometown. His father was involved in a lot of political decisions, and he told a bunch of people that the ad was not realistic.
“I wanted to tell them, ăyou are not crazy. Well if the ad is too obvious, the people won’t be impressed if we had to explain it. There is no need for this sort of thing in advertising. ăWhat is the effect on the audience as a whole who want to spend money on a meal in a restaurant that looks so different or even slightly different in its surroundings? ăWhat should we