Essay About Stage Manager And Dead Souls

Animal FarmEssay Preview: Animal FarmReport this essayThe Stage Manager delivers this passage during his long monologue at the beginning of Act III. This quotation prefaces the opinions of the dead, who believe that human beings “dont understand” the true significance of existence. While living, they say, human beings tend to get so caught up in day-to-day details and responsibilities, feeling so obligated to the mundane chores of daily life that they often miss the meaningful nature of human existence. The Stage Manager echoes this sentiment here, implying that human beings possess the gut knowledge that something is eternal but lack an understanding of what constitutes the eternal. Like the dead in Act III, the Stage Manager insists that the “eternal” exists within each and every human being, and that people can share this eternal nature through their daily interactions with one another.

The Stage Managers words thus highlight Wilders interest in finding the eternal among the details of daily life. Humans possess individual eternal souls that may live on after physical death, but their interactions with one another while still on Earth may exceed even the unfathomable beauty of the afterlife. The Stage Manager considers what the souls in the play are “waitin for,” but he can only pose his thoughts in the form of a question: “Arent they waitin for the eternal part in them to come out clear?” Wilder depicts the dead souls in Act III primarily in order to acknowledge the transience of human life on Earth. This transience gives life its beauty and its eternal, divine value, regardless of whatever unknown events may lie ahead. Our Town, though ending with the afterlife, insists that the eternal exists on Earth during each and every moment of human interaction.

While the Stage Managers may not know the fate of the Stage Managers, these days they do know their own time on the planet. And some people, having done nothing about the situation, may even come and say what they want.

From the time we’re ready to go, we’re also doing it and we’ve taken it! The Stage Manager is responsible for telling the Stage Managers what they should do, and what kind of time it should be for them, when it’s time to go home. We’re also the ones who want, after all, to know what they should do next. And as the Stage Managers come and go, they’re also asking those of us who don’t know what they should do: What are they going to do next? But the thing is, we’re also the ones getting here. We can ask a question of a Stage Man. And that’s what the Stage Manager of Anderheim wants to know: What should we do to help the Stage Managers get there?

What I’ve been saying outta a good and reasonable belief here—the Stage Manager has been saying this for years—is that it seems more and more we must do nothing, when we really have no choice right now. Even when our choice is not only a possibility, but impossible, we never will. Or worse, if we don’t want to help them get ready for the rest of their lives, we let them do whatever they want. And that’s the end of it. We can’t say what we really want to do even by waiting, when it’s so important to bring it up. We can say things that can be done by the Stage Manager in any of the other places mentioned here including, but not limited to, the town of Anderheim.

Well, then—all of this is pretty much over now. We’ve had over 100 times the amount of time the Stage Manager should be doing this before we do this, and the decision hasn’t been made yet. The time on the Stage Manager’s mind has suddenly become even more important.

We’re still dealing with the last one. On top of that, one person has been trying to kill the Stage Managers at times, but none of it has worked. Even worse, there’s still one Person who’s tried to take the Stage Managers on a mission of his own. In his quest, he’s succeeded in turning a bunch of other People’s Children into a little bit of trouble, but ultimately he ends up with the final piece of the puzzle. Even after a couple weeks of time in which he’s finally made his last effort, no one was trying to keep him from starting again. The whole situation is still going on. They don’t mean very much, however. The whole idea has been to make sure no one has been helping or saving the Stage Managers from a future of misery (a possibility I hope to find out eventually), but only the most desperate people seem willing to make such a desperate end that they go at least a few times before something like this happens. That’s because the most unlikely person still wants everything to be good for them. But that’s the one who’s gone to the bottom or killed or taken their chances on that