Film As Lit
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Perhaps one of the greatest if not the greatest director/producer in American film history is Steven Allan Spielberg. Spielberg is a three-time Academy Award winner and is the highest grossing filmmaker of all time; his films having made nearly $8 billion internationally. As of 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. TIME magazine named him in the 100 Greatest People of the Century. At the end of the 20th century LIFE named him the most influential person of his generation.
In a career that spans almost four decades, Spielbergs films have touched many themes and genres. During the 1970s, 1980s, and 1990s, three of his films, Jaws, E.T., and Jurassic Park became the highest grossing films for their time. During his early years as a director, his sci-fi and adventure films were often seen as the archetype of modern Hollywood blockbuster film-making. In recent years, he has tackled emotionally powerful issues such as the Holocaust, slavery, war, and terrorism.
Spielberg was born in Cincinnati, Ohio, the son of Leah Adler a restaurateur and concert pianist, and Arnold Spielberg, a computer engineer. Throughout his early teens, Spielberg made amateur 8 mm “adventure” movies with his friends, the first of which he shot at a restaurant in Scottsdale, Arizona. He charged admission (25 cents) to his home movies (which involved the wrecks he staged with his Lionel train set) while his sister sold popcorn.
Spielberg became a boy scout and in 1958, he fulfilled a requirement for photography merit badge by making a 9 minute 8 mm film entitled The Last Gunfight. At age 13, Spielberg won a prize for a 40-minute war movie he titled Escape to Nowhere. At 16 years old wrote and directed his first independent movie, a 140-minute science fiction adventure called Firelight . The movie, which had a budget of $400, was shown in his local movie theater and generated a profit of $100. A writer for the local Phoenix press wrote that he could expect great things to come. He attended California State University, Long Beach, to avoid the draft for the Vietnam War. His actual career began when he returned to Universal studios as an unpaid, three-day-a-week intern and guest of the editing department. As an intern and guest of Universal Studios, Spielberg made his first short film for theatrical release, the 24 minute movie Amblin in 1968. After Sidney Sheinberg, then the vice-president of production for Universals TV arm, saw the film, Spielberg became the youngest director ever to be signed to a long-term deal with a major Hollywood studio. He dropped out of Long Beach State in 1969 to take the television director contract at Universal Studios and began his career as a professional director.
Spielbergs films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. This is especially evident in Duel, Jaws, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Empire of the Sun, Hook, Jurassic Park, Saving Private Ryan, Catch Me if You Can, The Terminal, War of the Worlds, and Munich. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. To that tradition of fascination with space, Spielberg has placed on several occasions, shooting stars in the background of his films such as in Jaws. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.
A strong consistent theme in his family-friendly work is a childlike, even naДЇve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Hook, and A.I. these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielbergs directing trademarks. In the cases when his films include children , this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilised by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming. Another child orientated theme in Spielbergs films is that of loss of innocence and coming-of-age. In Empire of the Sun, Jim, a well-groomed and spoiled English youth, loses his innocence as he suffers through World War II Japan. Similarly, in Catch Me if You Can Frank naively and foolishly believes that he can reclaim his shattered family if he accumulates enough money to support