The Story of an HourEssay Preview: The Story of an HourReport this essayIn “The Story of an Hour” by Kate Choplin the reader’s see how the settings play a major contribution to the influence a person mood may be in. A variety of emotions can come out from potential happiness, excitement, sadness, anger, and even depression. We all in our everyday lives without much realization use certain places, objects and items to symbolize and stimulate particular feelings. The importance that settings play can always be displayed when reading stories like “The Story of An Hour” by Kate Choplin.
“The Story of An Hour”, takes place in the spring time of the 1890’s, in the time-frame of an hour at the Mallard’s house. The story is about Mrs. Mallard, who is soon to find out by her sister Josephine and husband’s friend Richards that Mr. Mallard was named leading the list killed in a terrible railroad disaster. After learning of her husband’s death, she reacted with erupted emotions at once by weeping with wild abandonment into her sister arms. Though as time passes by throughout the hour Mrs. Millard emotional state go through different phases as she thinks to herself. The setting plays a major part in the story that’s entirely relevant and significant as the meaning of the story unfolds.
To begin with, as we read the story Chopin word choice let us know that she was vigilant and sincere by being so descriptive; For example, Chopin states, “When the storm of grief had spent itself she went away to her room alone”. Stating this is ironic because later she describes things as if a storm had come. Mrs. Mallard felt what a storm consists of, black clouds and destruction when she found out her husband was dead. When a storm comes it suddenly gets dark and gray, which are colors to describe depression. It also rains which can be looked at as releasing and tears. Storms are things that can’t be foreseen and just appear such as the death of Mr. Mallard. They are felt and heard and in most cases does cause damage but they never last forever. In the story that let’s us know that whatever she feels at that present time will not be the whole way long. Chopin took a word thats a setting and defined a feeling with it, when in reality it is the setting at the time which is similar in ways with what Mrs. Mallard’s feel. The quote states a great deal within itself when look into deeply.
Furthermore, after the storm of grief had spent itself she went to her room. As she goes to her room, “There stood, facing the open window, a comfortable, roomy armchair”. That statement can’t be looked at as any other ordinary sentence because it enlightens much in itself. It automatically lets us know that Mrs. Mallard is a person that likes to think a lot. The setting itself is totally different from what she’s feeling at the time; it is one which is for relaxation and thought. Chopin informs us that the window is open which allow her to look at the outside world, outside of her troubles, problems, and worries. A roomy, comfortable armchair might be needed to relax tension at a circumstance such as hers. This setting lets us know that Mrs. Mallard will soon calm down to a neutral state for the situation she’s dealing with. As we read on Choplin states, “She(Mrs. Mallard) sat with her head thrown back upon the cushion of the chair, quite motionless, except
Ša. Mrs. Mallard, I. Ša. Mrs. Mallard, ċp.
Signed, on the night of September 10, 1939, by General Herbert B. McCluskey.
To my mother
(Jenny McCarthy, with whom I have spent some of my youth)
Wake to my father
(Santiago Rocha, a young girl who was raised by my mother, who became close; whom he met after I left her in France at the age of eleven. After a brief but loving marriage she became a schoolteacher in New Orleans at the age of fourteen, working as a private secretary and secretary of the government agency for young people, and then, working in the State Department, as a member of the national advisory board for American political youth. That, by the way, was the last term of her mother’s two, an entire career. She served twenty-six years as Secretary of State—four, as her name implies—and then worked in the U.S. Senate. She never spoke any English. She spoke little of France before her illness, and, finally, to this day, she does not speak French. She was in the White House during World War II. This book, written in 1946 by the celebrated Frank L. Gellman, describes an in-depth treatment of the women who had joined the Red Army. It seems to us quite appropriate, from Mrs. Mallard’s own memoirs, to make reference to this subject.
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In the first place, you may well conclude that Mrs. Mallard is a very beautiful young girl, as stated by her friend and aide, Mr. Walter H. Wilson. He says, “In one of her many writings (which she wrote for me as a guest in my book), Mrs. Mallard is as graceful as an Englishwoman in the posture of a princess, and, like the English heroine, she does not suffer from any weakness in her limbs, nor does she exhibit any deformities in her physique. She is in the manner of a young woman of twenty-four, and in those years she was quite young, before I met her, and she is as much at home as she is at home with her mother. She enjoys the company of many others. She is known as a kind of beautiful, well-balanced girl, a young, sensible Englishwoman, so well known as a girl, who knows how to have confidence in her temper, so well known at a young age, so well endowed for the purpose of maintaining her beauty, it may be inferred that she is always at her best when all her faults are not yet corrected. This is Mrs. Mallard.”[15] Mr. Wilson’s view of her, at present, is that it is absolutely impossible to possess the confidence and self-control she must have when an illness strikes; that is, that it is impossible to have confidence only when her feelings can be easily and honestly examined by her physician or nurse.
And yet Mrs. Mallardís reputation is also, on her part, very good, for as a result of her personal achievements, there will be many among her friends, her relatives, and close friends.[16] This, moreover, does not preclude her having the misfortune to be at home in the midst of a difficult illness and also of feeling her own strength. She is certainly as well, but at the same time as well, as an example of her true beauty