Literary Analysis of Dr. SeussJoin now to read essay Literary Analysis of Dr. SeussTheodor Seuss Geisel, better known as Dr. Seuss, is perhaps one of the most beloved childrens authors of the twentieth century. Although he is most famous as an author of childrens books, Geisel was also a political cartoonist, advertisement designer, and film director (Kaplan). He used the power of imagination to produce unforgettable childrens books and helped solve the problem of illiteracy among Americas children. By using his experiences in life as a foundation for most of his books, Theodor Geisel created a unique writing style that incorporated various elements and techniques, enabling his books to appeal to people of all ages.
This essay will explain that Seuss’ work and his early works, like the ‘La Bordeaux Envoy de L’Amour,’ is primarily a retelling of the life story of a popular French political cartoonist. The idea of ‘Theodoric’ (in other words, a satirist working at a cartoonist’s desk) was not created from the viewpoint of what happens to fictional cartoonists, but rather from the very life and experience of the young person in question and the people he encountered there. Geisel also did not always draw his cartoons from such a young age—even to the point of writing his first collection of art for the public display of his cartoon work, his own son, Seuss. In other words, this essay explains that because of the youth and the desire to be able to share in Seuss’ rich history and culture, he created a work that felt more real to young people than was real to the current generation. It will be his legacy that will always be remembered.
This essay is aimed toward a youth generation now familiar with Seuss: young children. If you are interested in reading his work, you may also love him as a parent. He has authored, and is currently contributing this essay to the publication of The Best Child’s Poetry of 2017.
The animated life of Theodor Geisel is evident in his literary masterpieces. He was born on March 2, 1904 in Springfield, Massachusetts to Theodor and Henrietta Geisel (Ford 14). Geisel grew up speaking German and English, and his fascination with quirky words began at an early age due to his family. For example, his sister, Margaretha, called herself Marnie Ding Ding Guy, and his first creation was the Wynnmph with ears three yards long (Kaplan). During his childhood, Geisel read widely and often – developing his voracious reading habit at an early age. By the time he was six years old, Ted was already reading Charles Dickens and Robert Louis Stevenson (Kaplan). However, college education never interested him. Labeled “Least Likely To Succeed” by his fellow classmates at Dartmouth University, Theodor often got in trouble for partying and was forced to resign from the school humor magazine. This gave birth to numerous pseudonyms of Geisel, such as L. Burbank, Thomas Mott Osbourne, Ted Seuss, Seuss, Dr. Seuss, and Theo LeSieg (Hurst). In his adult life, Theodor created various political cartoons for Judge, a humor magazine, and PM, a noted political magazine. The illustrations in these early cartoons foreshadow the quirky illustrations found in his childrens books (Kaplan). Geisel turned to writing childrens books when creating numerous ads for the popular insecticide, Flit, left him with little to do during the winter months (Hurst). By