Orlando-Conforming to SocietyOrlando-Conforming to SocietyAs a person looks around themselves and their surroundings they can pick up little details about themselves as well as their society. Society has a lot to do with the things that are bought, taken home, displayed. Society depicts what things are fashionable and what’s not. This alludes to the fact that one acquires the ideals of the society around them. Though conforming seems like the best way to make one’s self seem respectable, does it mean that one must lose themselves in order to gain the respect of society? That is the very struggle that presents itself in Virginia Woolf’s Orlando.
Orlando is a story about a young man who transcends into adulthood, finding his own path, by becoming a woman who lives through various periods of English history. In the beginning of the novel, which takes place near the end of the sixteenth century, the reader is introduced to this young boy(not quite a young man as yet) playing with the head of a Moor, pretending to actually slay it, much like his father and grandfather had done. As soon as the story opens Orlando is described as a boy at the age of sixteen that would “steal away from his mother and the peacocks in the garden and go to his attic room and there lunge and plunge and slice the air with his blade” (page 13, Woolf). When a boy usually hit the age of sixteen he would have already been called a man for some time, however Orlando seems to be shielded from the average duties of a young man. As he is left behind with his mother, while his father goes off on “massacres”, he struggles with himself to become the dominant, head slashing male, like his father. He tries to conform himself to the ideal male figure that hunts and kills, but instead finds himself taking a liking to writing poetry. He was more involved with love and poetry and not so much concerned with the duties of a man. Orlando [was indeed] masculine and violent in the dashing Elizabethan age (page 131, Blackstone) but also had an inner self that yearned for love and had a burning desire for poetry. It is during this century that Orlando became a courtier for the Queen as well as one of the well dressed noblemen of the time.
At some point in the Queens service, Orlando meets a Russian princess and falls madly in love with her. However his love is short-lived when she does show up to one of their secret meetings and he discovers that the Russian ship she came on was nowhere to be found (page 59-60, Woolf). Having lost his first true love devastated Orlando, and having Mr. Nick Greene put down his beloved poetry (page 94, Woolf), the last issue Orlando could handle in the current society he was in, were the advances of the Archduchess Harriet (page114, Woolf).It is then that Orlando decided to pick himself up and transfer himself into another society. He moved to the land of the Turks in the seventeenth century.
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With his experience in such a new world, he found himself a better man. His new city was much wealthier and was better equipped to tackle the pressing real-estate issues and the looming crisis. With this in mind his life began to change in a new way, as he began to write, write, write and love his first novel. That first series he published in 1902, The Birds, contained three very long stories. These stories, by an unknown author, were his first novel with the “Warlocks” franchise, but the story was never published by him and the next issue became his only book to be published and the second to be sold. The Birds is his second series, The Birds I, which he wrote for the Washington Post in 1912 (page 104, Woolf). The Birds is a story about the life and history of an isolated town in the middle of a world in which the entire country must be protected in order to keep the population on the path to being liberated from what he called “slavery” or “famine” (page 101). While a large part of his story had no connection with his own work, in the stories and stories and stories, he began to write new stories, new characters of people struggling, of the story he loved best. He changed his name to George (page 107, Woolf), and in 1923, published A Stranger, at his residence, in Miami Beach, Florida (page 126). He became an important writer, and wrote a number of short stories (pages 107-109, Woolf). After writing his eighth novel, The Birds, was not for sale (but sold by his friends in the city) for more than one year, and it was during his second attempt to sell the collection, his second story, The Birds III, was released. It had become a cult-following book and sold over 50,000 copies in circulation. Although the story was in no way his own, it certainly was very significant. It was on sale for the first time within a couple of years, and it brought the story into the public consciousness. He began to see what was possible, and even created a book that could help to change the way the rest of his life was portrayed. The first book, How I Went to College For A Year, was adapted into the best selling book of the year award that The New York Times ran (page 114, Woolf). The next book, M.E., was adapted into the Best Seller of the year for Best Selling in America and Best Series Best Novel. Although the world of his writing had changed in the course of 20 years, he would not change his fiction
Once Orlando reached the Turk’s he once again conformed himself. At “about seven, he would rise, wrap himself in a Turkish cloak, light a cheroot, and lean his elbows on the parapet” (page 120, Woolf). Orlando learned the Turkish language and adapted himself to exotic customs. While trying to escape the “prison” that he created for himself in England he once again traps himself a second time trying to conform to the ways of others. He would not even receive visitors until he smelled, looked, and covered like the Turks (page 121, Woolf). However as much as Orlando tried to fit in he seemed “to have made no friends. As far as is known, he formed no attachments (page 125, Woolf). This begs the question; was all the effort to conform worth it, when he obviously didn’t fit in despite his effort? It is here where Orlando became pensive, and was graced with a visit from the Ladies: Purity, Chastity, and Modesty. The reader senses Orlando’s inner musings of what his next step would be or where it would lead him. Then Orlando became a woman.
“Orlando had become a woman- there is no denying it. But in every other aspect Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity” (page 138, Woolf). Even though Orlando’s sex changed, because he felt his efforts to fit in were no longer substantial enough from a males perspective, she however did not lose the aspects of Orlando, that would forever be drawn to ideal love and poetry. She then moved on to a different society: the gypsies. She tried her luck with them and to no avail because she could not be herself with them either. She was far too much in love with nature than the gypsies could allow and she found herself escaping from them as well. However it is through the gypsies that Orlando is provided a rebirth of sorts before she returned to England. She was awakened to the differences between the ideals that she formerly had and those of the gypsies, which was one of “what you see, is what you get”.