Movie Review
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Teaming two superstars [Amitabh Bachchan, Shah Rukh Khan] in your directorial debut is as good as impossible. Opting for a novel story — the relationship between a spirit and a mortal — is an equally big challenge. Really, it requires courage to make a film that defies the stereotype, yet is seeped in emotions that work with the Indian junta. Vivek Sharmas first outing BHOOTHNATH is a simple story, well told and thats why it works!
Aimed at kids between 6 and 60, BHOOTHNATH relies on the belief that has been passed on to us through generations: Aatma amar hain.
Lets get a few things straight at the very outset. BHOOTHNATH is not an eerie experience [it does have a few moments though]. Its more of a kiddie film with a strong undercurrent of emotions. In fact, the bonding between the spirit and the kid makes you smile, even laugh at times and most importantly, makes you moist-eyed at two vital points of this 2.08 hour film.
One of the prime reasons why BHOOTHNATH works, besides the above-mentioned reasons, is due to the right casting. The story rests on two shoulders — the experienced [Bachchan] and the raw talent [Aman Siddiqui] — and both shoulder the responsibility beautifully, both compliment each other wonderfully well and make it a must-see experience.
You forget most films the moment you step out of the cineplex. But therere films that remain etched in your memory for their simplicity. BHOOTHNATH is one of those films. Go for it!
This is a story of a seven-year-old naughty yet innocent boy, who unknowingly turns a foe into a friend. This is a story of Banku [Aman Siddiqui] and his friend, Kailash Nath aka Bhoothnath [Amitabh Bachchan].
Bankus family [SRK, Juhi Chawla] comes to live in a mansion in Goa, considered haunted after the demise of the patriarch of the family. The spirit uses every rule in the book to scare the kid, but the kid is unaffected by it all. Slowly, a bond develops between the two. The story takes a turn when Kailash Naths son [Priyanshu] decides to sell off the mansion.
Debutante director Vivek Sharmas fundas are clear. Emphasize on substance, not as much on style. 15 minutes into the film and you know that the director doesnt believe in Russian angles or fancy camera wizardry to create the spooky effect. Sure, BHOOTHNATH begins as a spooky fare, but changes lanes the moment the spirit and the kid become buddies.
For most parts, BHOOTHNATH is aimed at the kids. The portions in the classroom/school, the interaction with the school principal [Satish Shah], the game of one-upmanship between the kids brings the kid out of you.
Vivek Sharma reserves the best during the intermission point as also the climax. The unanticipated accident minutes before the intermission and the emotional moments that follow are brilliantly