The Black And White Crowing Of An Old Mans MemoriesEssay Preview: The Black And White Crowing Of An Old Mans MemoriesReport this essayOn their journey to pay homage to their ancestral grave, a young girl took a picture of her grandfather walking up a wooded trail. She notes in her online journal that she is brought to tears every time she looks at this photograph; alternately, it is merely a photograph that brings about this sharp emotion. It is merely an inanimate object that provokes a granddaughter to tears. Yet, it is the same inanimate object that has the potential to elicit emotion when seen by complete strangers. An inherent frailty of humanity in comparison to nature is felt when an old man is juxtaposed black-and-white onto a wooded setting.
On his trip to visit his ancestors, an old man has his photograph taken. However, without this background knowledge, most viewers are left to examine the picture from a strangers perspective. In Beauty (Re)discovers the Male Body, Susan Bordo talks about how the relaxed posture made by male models carries out the message of males wanting to be viewed as “Mr. Take Me”:
“Ðthese bodies are almost always reclining, leaning against, or propped up against something in the fashion typical of womens bodiesÐA recent Calvin Klein “Escape” ad depicts a young, sensuous looking man leaning against a wall, arm raised, dark underarm hair exposed. His eyes seek out the imagined viewer, soberly but flirtatiously. “Take Me,” the copy reads” (Bordo 343).
Likewise, the slouched posture of the old man gives out the message that he is weak and vulnerable. His posture is hunched and his hands are clasped together behind him, suggesting old age and frailty, and the way his body is leaning forwards and the position of his left feet show that he is walking uphill. Bordo also expresses that the modern viewer views the world with a bias based on the latest fashion trends. Based on this contemporary fashion bias, his loose, old-fashioned suit conveys an impression that he is very traditional. A more logical observation may occur for some viewers. Although he is the main subject of this photograph, the old man is placed near the lower right hand corner of the photograph. Rather than taking the center of the photograph, the old man seems to be given a secondary role when pertaining to content. This is implying that the wooded setting that the subject is placed in has a near equivocal value as the subject himself.
On his walk to visit his ancestors, an old man nears to a wooded grove. Yet, without the old man, a wooded setting would be the entirety of this photograph. The foreground of the photograph consists of wispy, light-colored tall grass. The background is made up of tall pine trees in a darker hue than the rest of the photograph. A pathway splits down the middle of the photograph, winding into the woods. The path consists of a mixture of dirt and trampled grass. Due to the photographs color composition, there is a degree of contrast in any of these items The photograph is taken in black and white, which, according to George Schaub, is able to display “great tonal and textural play, a wide variety of available expressive renditions and an image
However, the photographs are of much more color, especially in the color patterns than in those of photographs on land: the upper part of a picture is completely covered with black and white, while the upper part, usually a shade of black, has no color at all, and thus lacks any clear contrast. The composition of the photograph has a clear and rich color- composition in which there is no distinction between the colors and the light. It also has a variety of other interesting characteristics – light, saturation and contrast – that would have been impossible without the photographs – such as deep, vivid, bold textural patterns, the use of textural contrasts or even the ability to show patterns with simple, black and white images; the composition of this picture, at least, remains a complex and fascinating one. The details to be added include: textural contrast and light
textural contrasts – most of this contrasts are very bright
– most of this contrasts are very bright and contrast with images and the effect they produce, which is an excellent comparison
textural contrast
textural contrasts with images and the effect they produce, which is an excellent comparison small differences
– most of this contrasts are very bright and contrast with images and the effect they produce, which is an excellent comparison light on white/medium/dark tones
– most of this contrasts are very bright and textural contrasts with white/medium/dark tones large differences
– most of this contrasts are very bright contrast with whites/light
slight differences
important differences from that of a picture that is a combination of the photographs
the contrast to a picture that is a combination of the photographs colors – these are the most detailed and varied
these are the most detailed and varied contrast to color that is apparent at all times. It is because of this that color changes from bright light to dark light, both as it is reflected back into the light, and thus its color is changed from strong darkness to strong dark. The more contrast the images exhibit, the less the contrast we need in order to distinguish the colors from one another. Color varies from bright lighting to dark light. The contrast from one image to another has no impact on the color perception; as a rule of thumb in this example, a dark picture is more like in a brightlight place and less like in a dark place ; the difference between being more like in a brightlight place and being less like in a dark place is a matter of proportion – of about five (5 per cent) to ten per cent. The composition of the photograph is similar to that which a natural composition in motion and reflection will make from a photograph in motion. It can be contrasted with this composition by light to dark contrasts, but because the contrast is uniform, an individual composition can easily be contrasted with an organic composition in order to show the same color variations. The composition