The Tragedy Of Death Of A SalesmanEssay Preview: The Tragedy Of Death Of A SalesmanReport this essay“If the exaltation of tragic action were truly a property of the high-bred character alone, it is inconceivable that the mass of mankind should cherish tragedy above all other forms” (Dwyer). It makes little sense that tragedy should only pertain to those in high ranks. As explained in his essay “Tragedy and the Common Man,” Arthur Miller sets out the pattern for his own idea of a tragedy and the tragic hero. This pattern supports the idea that a tragedy can occur in characters of common men as well as those in high places. In his paper, he demonstrates that it should be possible for everyone to be able to identify with the tragic hero. Miller redefines tragedy as more common occurrence than what might happen in such tragedies as portrayed by Shakespeare and Euripides, thus defining Death of a Salesman as a tragedy.
The Myth of the Salesman: In a World of Lies, We Don’t Always Have Easy Answers«
By S.K.
The myth of the salesman is a myth that holds that, despite the successes of the American industrial revolution, no one in the USA truly lived up to the highest ideals of the American spirit. In this view, the salesman was only a means by which we could maintain the very standard of living of our poor American people. On that basis, salesmen were sometimes called “The Salesmen”, and people began to question whether a Salesman could live up to the American dream. In his essay “The Myth of the Salesman, Steven L. Richey introduces a more positive view, comparing the salesman with a living example of a true American patriot, Thomas Jefferson, who was not, as he wrote then, a natural salesman. L.R.A. is more interested in explaining whether a Salesman could meet the American ideals than, if he were not one, how many of the “American patriots” he knew would eventually join the political parties he supported. By defining the selling and the unselling as a political act, L.R.A. attempts to understand the difference within individual salesmen between what you might call American and American patriot. By stating that the salesman was “probably a more natural salesman than a person of normal character”, he means that the salesman’s skills weren’t the product—they simply were.
As the story of Thomas Jefferson states in his last work, L.R.A. tries to explain that even the “American patriot” who had purchased a copy of Jefferson’s “Dance With The Devil” had failed in his own ability to find the right salesman. In trying to explain this, L.R.A. focuses on some differences between his American and his English speaking peers, such as those that he has in reference to the people who actually sold Jefferson’s book at the time, who were not Jefferson’s actual supporters, or people who came from “many other nations than the USA”. Even John Adams himself acknowledges that “our publicists could have been more easily convinced that our product and their political ideology were just a reflection of a natural person and not a political figure. It is true that our citizens and friends may have been different, but ours as a nation has never been as different from our own as it has been in many instances.” The “American” Salesmen
By D.W.
By J.L. Richey of the Institute for Social Analysis, Stony Brook University, NJ
• The Myth of the Salesman: In Search Of The Truth «
Answers to key problems
What Does the Salesman Mean?»
Is the Salesman A Marketer?
How Does the Salesman Work? «
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Willy Loman is a tragic hero. His fear is that he wants to be viewed as a good, decent human being. He wants to believe that hes a well liked, decent person who doesnt make mistakes. The truth is that he makes mistakes, many that haunt him, and that he is human. Willy does not consider this normal and severely regrets such failures such as raising his children poorly, as he sees it, not doing well in business, though he wishes he was, and cheating on Linda, showing her to be a commodity of which he takes advantage. “The quality in such plays that does shake us derives from the underlying fear of being displaced, the disaster inherent in being torn away from our chosen image of what and who we are in the world” (Miller, “Tragedy…”). Willys “underlying fear of being displaced” is the real tragedy. He wants to do things right, but the fact is he has many incidences that haunt him. Consistently throughout the play, Willy drifts in and out of a dream. He is constantly haunted by memories of his dead brother Ben who struck it rich the jungle. He also has flashbacks of incidents that haunt him in other areas. For example, the sequence in which Biff catches Willy with a woman other than Linda. This haunts Willy because he sees it as part of why Biff does not love him. “Tragedy then is the consequence of a mans total compulsion to evaluate himself justly” (Miller, “Tragedy…”). This is Willys flaw. The circumstances in his life and the identity he has created for himself are being affronting by his inner reality to “evaluate himself justly.” This flaw is “…his inherent unwillingness to remain passive in the face of what he conceives to be a challenge to his dignity, his image or his rightful status” (Miller, “Tragedy…”). Indeed this is the case with Willy. He decides to take action rather than complacently become outdated. Willy continually argues with those around him in order to try to keep his personal dignity. These include his argument with Howard that he can still sell, his arguments with Charley over the card game and the job, and his argument with Biff about not being “a dime a dozen.” “I am not a dime a dozen! I am Willy Loman and you are Biff Loman!” (pg.132)
Willy, in addition to meeting Millers definition of a tragic hero, in a way connects with the traditional requirements. Willy, after he receives an assurance that Biff loves him, offers the only thing he knows to somehow make recompense; he takes his own life. He does this so Biff will attain the insurance money. Here we can see that Willys sincere desire is directed at something greater than himself, his image, or his success. He is motivated by his love for his son. Therefore, since his primary focus is beyond himself, it consequently elevates him. Willy, like traditional tragic heroes, has a tragic flaw.
“The possibility of victory must be there in tragedy” (Miller, “Tragedy…”). Setting aside Willys “tragic flaw,” there is a certain amount of hope that Willy